Tim's Top 5:
Let's be honest, a closer is only as good as his entrance music. Actually, Brad Lidge was about 45-for-45 in saves last year...and he came in to Drowning Pool. So, in fact, a closer is considerably better than his entrance music. Unless that closer would be me.
Everything I've read claims that the movie Major League is really responsible for the association of a single song with a closer...but I don't buy it, because at least at minor league ballparks, they did it before that movie came out. I remember Greg Everson coming out before Luis Encarnacion in Omaha to "Thank God I'm A Country Boy" (which is fine for a middle reliever, obviously not really a closer song).
This was a tough list, because there are songs that work until you actually listen to the substance of the lyrics (like, say, Muse's "Time Is Running Out") Oh, and I don't listen to heavy metal, which means that ... yeah, I had to be creative.
1. Pearl Jam - Save You -- Why? Well, I mean, come on, it's a little perfect. It has a great crunching guitar intro, the first guitar comes in, a second, then the drums hit before the vocals come in. And the first few lines are flawless. "I'm gonna save you, fucker (it'd be fine, you can't tell that's what he's saying)/ I'm not gonna lose you / I'm feeling cocky and strong, can't let you go / Too important to me, too important to us, we'd be lost with you")
It does have one lyrical minus -- "Why are you hitting yourself? Come on, hit me instead." This would not exactly inspire the fans' confidence...but perhaps I'm a pitch-to-contact closer along the lines of Bob Wickman and Brandon Lyon, so the fans already hate me regardless of my theme music.
It starts a little too hard, I like the escalation of #5 (and also Enter Sandman, which I think is otherwise not a good song for this purpose), but it's already taken.
2. Alice Cooper – School’s Out – This might be the perfect timing, because there’s a point at 1:14 (right before the high-pitched middle eight) where the song should be cut off by the public address announcer to announce “Your attention please…now pitching …” – if they can draw it out to 1:29, it has a hard bounceback. It’s a profoundly recognizable song, it’s just annoying enough to actually be used as a closer’s anthem.
The lyrics work, I think. Listen, you’ve had your chance to learn how to hit with the shitty pitchers in innings 1-8…school’s out, time to step up.
3. Stevie Wonder – You Haven’t Done Nothin’” – Again, the timing on this song is good here. At 1:03, plenty of opportunity for the announcer to cut in to announce the closer’s arrival. I like the funky, taunting beat and I think you just strut in from the bullpen for this one. It was meant to scorn Richard Nixon, but I think it’d work just as well on Trot Nixon. The entire thing just has a very taunting feel to it that is kind of missing with the blaring heavy metal surplusage that has led two different Drowning Pool songs to be used as closer entrance themes.
4. R.E.M. – "Circus Envy" – I love this song. The growling beginning and heavy drum and crackling distortion pedal at the beginning really cement it, the opening lyrics are pretty taunting “Here comes that awful feeling again” (though after a few blown saves…we’ll see who’s having the awful feeling). It lightens a little too much about 45 seconds into the song, but the repeating intro loop is really the key.
At 2:29, the lyrics hit their peak “If I were you, I’d really run from me”. True enough, R.E.M.
5. AC/DC - "Hell's Bells" - Trevor Hoffman already has that one, as you can see from this video ...and for a good damn reason. "Thunderstruck" is also a pretty good entrance song, so I think we've identified what AC/DC is good for -- closer songs and songs you know someone would request at a strip club ("You Shook Me All Night Long")
It’s really a shame that Trevor Hoffman never pitched for the Phillies, because if they got the Liberty Bell in center field to “ring” right as he hit the warning track for the first bell…it’d be amazing.
Honorable mention: Wagner - March of the Valkyries - Listen. It is not my fault that Wagner was anti-Semitic. This is the heavy metal equivalent of classical music, and it sounds pretty damn sinister; The Arcade Fire – Keep the Car Running - Again, I thought of this for primarily lyrical reasons, because it seems to me to be the equivalent of “trust me, we won’t be here long”; Muse – Hysteria – start the song 10 seconds in. That’s it.; Jay-Z "Encore" - the reference to Brooklyn keeps it out of the top 5 for me, otherwise I think it’s pretty spot on; Oasis - “Hello” - Start at 12 seconds. I’m not sure why I like it for this – I think it’s the “it’s good to be back” refrain that seems so apropos for a regularly-injured underdog pitcher who survives on sheer guile. You know, the one I’d be destined to be if I hadn’t sucked too much for the injuries to matter; Presidents of the United States of America – “Cleveland Rocks” – if I played for the Indians, you’d damn well better believe I’d be a lousy enough closer to pander to the home fans (all of whom are white and therefore none of them actually live in Cleveland, but they’d still pretend).
Dan's Top 5:
I have included Youtube links indicating when, precisely, I want the music to kick in.
1. Iron Maiden - Run To The Hills - A song about rampaging, murderous war by the white man against the Native Americans. Comes in especially handy when our team plays against the Cleveland Indians or the Atlanta Braves. Or the Washington Redskins, if they decide to quit football and try baseball instead.
2. Peter Gabriel - The Tower That Ate People - One of the most kickass songs that Gabriel's done, and I think it would have the added bonus of frightening little children. Downside - not very effective if you're not dressed in all black or at least wearing black sunglasses.
3. Metallica - Enter Sandman - A nod to my Virginia Tech days, when you could play Enter Sandman (our stadium entrance song) and immediately get everyone in audible range to jump up and down and go absolutely berserk. It didn't even have to be football season.
4. Meat Loaf - Bat Out Of Hell - I will refuse to throw a pitch until the song is finished. I may promptly be demoted to the franchise's AAA team, but a man needs his Meat Loaf.
5. Rage Against The Machine - Bulls On Parade - Still my favorite Rage song after all these years. I could have gone for something a little more obscure to close out this list, but I think that fans will appreciate my taste in music. It sure will make up for the fact that I am a shitty closer and will cost our team the win.
Ryan's Top 5:
I went solely with kickass music, though part of me does want to enter to "Why Can't We Be Friends?" a la Homer's boxing intro.
1. Iron Maiden - The Number of the Beast - Time-wise, this song is perfect. Start it at the normal time, then dim the stadium lights as I enter jogging; at about 56 seconds, right when I throw my first warmup pitch, Bruce Dickinson screams and the crowd goes wild. I would definitely make a point of timing this perfectly. Bonus points in that the tone of the song would ideally terrify the Bible-thumping Mike Sweeneys of the world; regrettably, it would be no deterrent to the Satan-worshiping AJ Pierzynskis of the world (though his ability to hit is a solid deterrent to begin with).
2. Sergei Prokofiev - Dance of the Knights - Probably a bit high for a classical song, but I've had this in my head all day long and have been convinced of its ass-kickery since Muse opened HAARP with it. (Youtube took down the clip, unfortunately.) Ultimately, this song beats other classical contenders ("Mars, Bringer of War," and "The Imperial March" from Star Wars).
3. Morning Glory - Oasis - As far as I can tell, you cannot go wrong with a helicopter sound effect introducing a song. (See: "The Happiest Days of our Lives," Pink Floyd.) (This is where someone cites the Kid Rock/Sheryl Crow song I'm forgetting that features a helicopter.) Lyrically, this song is sufficiently vague enough, as well: "All your dreams are made..." "Today's the day that all the world will see..."
4. Black Sabbath - Iron Man - As cliche as this song is (it's almost certainly used by some closer somewhere), it's too good for me to pass up. This song is rare in that my favorite part is about ten seconds in, when the robot voice says I AM IRON MAN. But oh well.
5. Kool and the Gang - Jungle Boogie - I have been in love with this song since Pulp Fiction. Play this, I'll throw a 1-2-3 ninth, then we cap it off with "Celebration" by the same band, bam! I rule!
Honorables: "Hell's Bells" was really written to be a sports intro theme.
Showing posts with label r.e.m.. Show all posts
Showing posts with label r.e.m.. Show all posts
Thursday, January 8, 2009
Thursday, May 29, 2008
Top 5 Songs with State Names (or Similar Approximations) in Their Titles (East of the Mississippi River Edition):
Tim's Top 5:
1. Simon and Garfunkel – The Only Living Boy in New York – Ok, its association with the movie Garden State does take some joy from the song, since it’s lost all its obscurity value to people of my generation, but it's a very beautiful song that captures simultaneous youthful optimism and bitter sorrow.
2. Crosby Stills Nash & Young – Ohio - In my opinion, it’s hands-down the best song CSNY ever did, and it captures both sides of Neil Young really well, while having bitter and cutting lyrics about the inexplicable murder of four Kent State students by the Ohio National Guard.
3. The Strokes – New York City Cops – The best track off an album I’d never been all that into was left by the wayside when September 11 made it inappropriate to write a song about how New York City cops ain’t too smart. There’s not much to the song, and one could make an argument for leaving it off an album in any event…at least until they listened to it.
4. Elliott Smith – Georgia, Georgia – It’s a shame that New Moon was released only after I’d transferred all my music listening onto the shoddy IPod dock in my office, because Elliott Smith just doesn’t work on the system, because he’s ambient in and of himself. So I’m only discovering this song as a matter of research, but it warrants mention. The frantic pace and clear guitar work (you can practically hear his fingers on the guitar) would have made it a superb inclusion on Either/Or.
5. Rolling Stones – Sweet Virginia – It’s one of the more intriguing tracks on Exile on Main Street, which makes it emphatically worth including in this list. They do a good job in producing this to remove Mick Jagger’s from the rest of the track by a good distance, but the chorus really captures a Let It Be sort of feel of the Rolling Stones just being in a studio and working something out live. It sounds a lot like Springsteen’s work on The Seeger Sessions – very authentic. I really don’t listen to Exile nearly enough.
Honorable mention: R.E.M. – Leaving New York – It’s really literal, I know, but I’m okay with being the only person in the world who likes this song; Arrested Development – Tennessee; Countless artists, including Chuck Berry and The Beatles – Memphis, Tennessee; Neil Diamond – Kentucky Woman – yes, I like Neil Diamond.; The Jayhawks- Somewhere in Ohio
Ryan's Top Five
1. "I Guess The Lord Must Be In New York City" - Harry Nilsson - This is probably one of Nilsson's best, and one of his first hits from 1969. Incidentally, it's one of my favorites and it exemplifies what Nilsson's so great at: simple, happy pop songs done to perfection. (See: Me And My Arrow, The Puppy Song, Good Old Desk, The Town, Poli High, Down To The Valley, etc. etc. etc. etc.) Marry the cheeriness and simplicity of the song with Nilsson's vocals and you have a perfect pop song.
2. "Come On! Feel The Illinoise!" - Sufjan Stevens - One of the best songs, and maybe the best song, from one of the best and most complete albums of this decade. Sufjan uses a wide array of instruments and here crafts another cheery song with poignant lyrics that belie its happier exterior. "I cried...myself...to sleeeep last night..." Man, I love this song.
3. "Piazza, New York Catcher" - Belle and Sebastian - Here's a textbook band that I should be more into than, regrettably, I am (or rather, have tried to be). In any event, I love this track.
4. "Mississippi Queen" - Mountain - A great hard rock/proto-metal song from the 70's. Gains bonus points for its association with the Homerpalooza episode of The Simpsons.
5. "Tennessee" - Arrested Development - This was probably my favorite song of 1992, when I was 9. Arrested Development in 1992 could do anything, I'd dig it. A great song from a great album.
Dan's Top 5:
Wow, there's a lot of Georgia in here.
1. Ray Charles – "Georgia on My Mind" – Ray Charles' first #1 song, and for good reason. Forget that it became the state song of Georgia in 1979, or that Ray Charles didn't even write it. Sometimes, certain recordings become immortal. I even included this on one of my mix CDs, which was otherwise populated by rock tracks. Should be noted that it ranks #44 in Rolling Stone's list of the 500 greatest songs of all time.
2. Frank Sinatra Р"New York, New York" РSure, this song may be a bit clich̩, but for me, it's synonymous with the character that's unique to the city. I don't know about anyone else's opinion, but I always enjoy going to New York. Also the only Sinatra song I really like.
3. Brother Bones and His Shadows – "Sweet Georgia Brown" – Harlem fucking Globetrotters. I rest my case.
4. Charlie Daniels Band – "The Devil Went Down To Georgia" – It's rare that a song tells a story this complete. Gains massive points for being a Southern Rock song that's actually known by people who aren't Southern Rock fans (which is because most Southern Rock sucks.) But at the same time, it loses points because, as many people agree, the Devil's band actually rocks harder than Johnny's "winning" performance.
5. Brian and Stewie – "Road to Rhode Island" – I decided to include this song for a number of reasons. First, it reminds us of a time when Family Guy didn't suck ass, or at least not nearly to the degree it does today. Second, it's a decent parody of the classic Hope and Crosby numbers, lest they be forgotten. Third, it makes fun of Rhode Island, and successfully ("like a group of college freshmen who were rejected by Harvard and forced to go to Brown.")
1. Simon and Garfunkel – The Only Living Boy in New York – Ok, its association with the movie Garden State does take some joy from the song, since it’s lost all its obscurity value to people of my generation, but it's a very beautiful song that captures simultaneous youthful optimism and bitter sorrow.
2. Crosby Stills Nash & Young – Ohio - In my opinion, it’s hands-down the best song CSNY ever did, and it captures both sides of Neil Young really well, while having bitter and cutting lyrics about the inexplicable murder of four Kent State students by the Ohio National Guard.
3. The Strokes – New York City Cops – The best track off an album I’d never been all that into was left by the wayside when September 11 made it inappropriate to write a song about how New York City cops ain’t too smart. There’s not much to the song, and one could make an argument for leaving it off an album in any event…at least until they listened to it.
4. Elliott Smith – Georgia, Georgia – It’s a shame that New Moon was released only after I’d transferred all my music listening onto the shoddy IPod dock in my office, because Elliott Smith just doesn’t work on the system, because he’s ambient in and of himself. So I’m only discovering this song as a matter of research, but it warrants mention. The frantic pace and clear guitar work (you can practically hear his fingers on the guitar) would have made it a superb inclusion on Either/Or.
5. Rolling Stones – Sweet Virginia – It’s one of the more intriguing tracks on Exile on Main Street, which makes it emphatically worth including in this list. They do a good job in producing this to remove Mick Jagger’s from the rest of the track by a good distance, but the chorus really captures a Let It Be sort of feel of the Rolling Stones just being in a studio and working something out live. It sounds a lot like Springsteen’s work on The Seeger Sessions – very authentic. I really don’t listen to Exile nearly enough.
Honorable mention: R.E.M. – Leaving New York – It’s really literal, I know, but I’m okay with being the only person in the world who likes this song; Arrested Development – Tennessee; Countless artists, including Chuck Berry and The Beatles – Memphis, Tennessee; Neil Diamond – Kentucky Woman – yes, I like Neil Diamond.; The Jayhawks- Somewhere in Ohio
Ryan's Top Five
1. "I Guess The Lord Must Be In New York City" - Harry Nilsson - This is probably one of Nilsson's best, and one of his first hits from 1969. Incidentally, it's one of my favorites and it exemplifies what Nilsson's so great at: simple, happy pop songs done to perfection. (See: Me And My Arrow, The Puppy Song, Good Old Desk, The Town, Poli High, Down To The Valley, etc. etc. etc. etc.) Marry the cheeriness and simplicity of the song with Nilsson's vocals and you have a perfect pop song.
2. "Come On! Feel The Illinoise!" - Sufjan Stevens - One of the best songs, and maybe the best song, from one of the best and most complete albums of this decade. Sufjan uses a wide array of instruments and here crafts another cheery song with poignant lyrics that belie its happier exterior. "I cried...myself...to sleeeep last night..." Man, I love this song.
3. "Piazza, New York Catcher" - Belle and Sebastian - Here's a textbook band that I should be more into than, regrettably, I am (or rather, have tried to be). In any event, I love this track.
4. "Mississippi Queen" - Mountain - A great hard rock/proto-metal song from the 70's. Gains bonus points for its association with the Homerpalooza episode of The Simpsons.
5. "Tennessee" - Arrested Development - This was probably my favorite song of 1992, when I was 9. Arrested Development in 1992 could do anything, I'd dig it. A great song from a great album.
Dan's Top 5:
Wow, there's a lot of Georgia in here.
1. Ray Charles – "Georgia on My Mind" – Ray Charles' first #1 song, and for good reason. Forget that it became the state song of Georgia in 1979, or that Ray Charles didn't even write it. Sometimes, certain recordings become immortal. I even included this on one of my mix CDs, which was otherwise populated by rock tracks. Should be noted that it ranks #44 in Rolling Stone's list of the 500 greatest songs of all time.
2. Frank Sinatra Р"New York, New York" РSure, this song may be a bit clich̩, but for me, it's synonymous with the character that's unique to the city. I don't know about anyone else's opinion, but I always enjoy going to New York. Also the only Sinatra song I really like.
3. Brother Bones and His Shadows – "Sweet Georgia Brown" – Harlem fucking Globetrotters. I rest my case.
4. Charlie Daniels Band – "The Devil Went Down To Georgia" – It's rare that a song tells a story this complete. Gains massive points for being a Southern Rock song that's actually known by people who aren't Southern Rock fans (which is because most Southern Rock sucks.) But at the same time, it loses points because, as many people agree, the Devil's band actually rocks harder than Johnny's "winning" performance.
5. Brian and Stewie – "Road to Rhode Island" – I decided to include this song for a number of reasons. First, it reminds us of a time when Family Guy didn't suck ass, or at least not nearly to the degree it does today. Second, it's a decent parody of the classic Hope and Crosby numbers, lest they be forgotten. Third, it makes fun of Rhode Island, and successfully ("like a group of college freshmen who were rejected by Harvard and forced to go to Brown.")
Tuesday, April 1, 2008
Top 5 R.E.M. albums
In honor of today's release of Accelerate, the long-sort-of-awaited album from R.E.M., I'm posting this top five. Edit: Now that I have listened to it and let it soak in for a month, Accelerate would be #5 on this list.
Tim's Top 5:
1. Automatic for the People - This could make a strong argument to be any band's finest work, with only two aberrations that I'm not enamored with (Star Me Kitten and New Orleans Instrumental No. 5 do little for me). "Everybody Hurts" has gotten too much credit and "Man on the Moon" made its way into popular culture, but the real majesty of the album is tied up in its other tracks -- Sweetness Follows, Monty Got A Raw Deal (the greatest song ever written about Montgomery Clift, sorry, The Clash), and Ignoreland...and the last two tracks -- nightswimming and Find The River, which are great achievements. I think if forced at knifepoint, Find the River would probably be my favorite R.E.M. song, but at the very least, it's on a short list with Daysleeper, Circus Envy, and Texarkana.
2. Murmur - As a disclaimer, I never listen to Murmur. I didn't hear it until I'd already been the owner of five R.E.M. albums at which point I was in disbelief that it was that amazing. So I can't say much except that I'm still in disbelief at its greatness even though later albums -- Document, for instance -- fell far short of expectations for me. Radio Free Europe and Talk About the Passion are great songs, Sitting Still and Catapult aren't off that level, and the sheer raw sound still charms me.
3. Monster - Ok, it got so much radio play that it took a long time to forgive for songs like Bang and Blame, which was hardly average, but this was a revelation -- R.E.M. could actually just drop the mandolins and quiet introspection and rock. Circus Envy is one of my favorite R.E.M. songs, and it's likely my absolute favorite after "Find the River".
4. Life's Rich Pageant - A perennially forgotten album, I will listen to it once a year and just be in disbelief that it took a year to get back to it. Fall On Me, What If We Give It Away?, and Cuyahoga are representative of the better parts of Out of Time and Green in the near future, but Begin the Begin and Superman also tend to point toward what Monster and, ultimately, Accelerate would become.
5. Up - More than any album, Up was aptly titled, because it actually seemed possible that R.E.M. might actually continue to improve after losing Bill Berry. Walk Unafraid, Sad Professor, The Apologist, Lotus and Hope all started to blur the line between traditional R.E.M. and production-heavy artists like Beck, but they still had the smallness of R.E.M.'s best work. Daysleeper is likely the best song R.E.M. has ever written, and it's not low on the list of the best songs they've ever recorded either.
Honorable mention: I could have made an argument that Green, Out of Time, or Accelerate belong on this list, but I'm content with what I've done.
Dan's Top 5:
Disclaimer - I am just starting to take an active listening role towards R.E.M., so forgive any poor taste.
1. Automatic for the People - Actually one of my favorite albums to listen to, which is a surprise, since I'm just starting to get into R.E.M. "Man on the Moon" is one of my favorite songs ever, and Drive is a great lead-off track. In all, nothing to complain about in this album (or any other R.E.M. album for that matter, lest I trigger Tim's blog-wrath)
2. Out of Time - Anyone claiming that "Losing my Religion" is their favorite R.E.M. song won't get any scoffs from me. Along with "Shiny Happy People," it presents the case for a strong album, though it can never have that master's touch like Automatic for the People.
3. Document - Responsible for two of my favorite R.E.M. songs, "It's The End Of The World As We Know It" and "The One I Love." As is typical, I've only heard the others a handful of times. But I have heard them.
4. Green - Much like Document, in that I'm enamored with two songs from it - I absolutely love "Orange Crush," and I'm pretty fond of "Stand." I've only heard the rest of the album once or twice, though. Such is my bad habit.
5. Murmur - I've actually not gotten around to listening to this one yet (though I do have it on my computer), but it does have "Radio Free Europe" on it, and I hear that's one of their classics. But that laziness on my part may be the only reason that this is ranked at the bottom.
Honorable Mention - Accelerate, which I don't have yet because Amazon is taking their sweet-ass time getting it to me.
Ryan's Top Five
In respect of R.E.M., I'll defer to my associates on this one--I love the REM that I know, but I know so pathetically little (save what everyone's heard on the radio) that I don't feel comfortable ranking albums. "Losing My Religion" is one of my favorite songs.
Tim's Top 5:
1. Automatic for the People - This could make a strong argument to be any band's finest work, with only two aberrations that I'm not enamored with (Star Me Kitten and New Orleans Instrumental No. 5 do little for me). "Everybody Hurts" has gotten too much credit and "Man on the Moon" made its way into popular culture, but the real majesty of the album is tied up in its other tracks -- Sweetness Follows, Monty Got A Raw Deal (the greatest song ever written about Montgomery Clift, sorry, The Clash), and Ignoreland...and the last two tracks -- nightswimming and Find The River, which are great achievements. I think if forced at knifepoint, Find the River would probably be my favorite R.E.M. song, but at the very least, it's on a short list with Daysleeper, Circus Envy, and Texarkana.
2. Murmur - As a disclaimer, I never listen to Murmur. I didn't hear it until I'd already been the owner of five R.E.M. albums at which point I was in disbelief that it was that amazing. So I can't say much except that I'm still in disbelief at its greatness even though later albums -- Document, for instance -- fell far short of expectations for me. Radio Free Europe and Talk About the Passion are great songs, Sitting Still and Catapult aren't off that level, and the sheer raw sound still charms me.
3. Monster - Ok, it got so much radio play that it took a long time to forgive for songs like Bang and Blame, which was hardly average, but this was a revelation -- R.E.M. could actually just drop the mandolins and quiet introspection and rock. Circus Envy is one of my favorite R.E.M. songs, and it's likely my absolute favorite after "Find the River".
4. Life's Rich Pageant - A perennially forgotten album, I will listen to it once a year and just be in disbelief that it took a year to get back to it. Fall On Me, What If We Give It Away?, and Cuyahoga are representative of the better parts of Out of Time and Green in the near future, but Begin the Begin and Superman also tend to point toward what Monster and, ultimately, Accelerate would become.
5. Up - More than any album, Up was aptly titled, because it actually seemed possible that R.E.M. might actually continue to improve after losing Bill Berry. Walk Unafraid, Sad Professor, The Apologist, Lotus and Hope all started to blur the line between traditional R.E.M. and production-heavy artists like Beck, but they still had the smallness of R.E.M.'s best work. Daysleeper is likely the best song R.E.M. has ever written, and it's not low on the list of the best songs they've ever recorded either.
Honorable mention: I could have made an argument that Green, Out of Time, or Accelerate belong on this list, but I'm content with what I've done.
Dan's Top 5:
Disclaimer - I am just starting to take an active listening role towards R.E.M., so forgive any poor taste.
1. Automatic for the People - Actually one of my favorite albums to listen to, which is a surprise, since I'm just starting to get into R.E.M. "Man on the Moon" is one of my favorite songs ever, and Drive is a great lead-off track. In all, nothing to complain about in this album (or any other R.E.M. album for that matter, lest I trigger Tim's blog-wrath)
2. Out of Time - Anyone claiming that "Losing my Religion" is their favorite R.E.M. song won't get any scoffs from me. Along with "Shiny Happy People," it presents the case for a strong album, though it can never have that master's touch like Automatic for the People.
3. Document - Responsible for two of my favorite R.E.M. songs, "It's The End Of The World As We Know It" and "The One I Love." As is typical, I've only heard the others a handful of times. But I have heard them.
4. Green - Much like Document, in that I'm enamored with two songs from it - I absolutely love "Orange Crush," and I'm pretty fond of "Stand." I've only heard the rest of the album once or twice, though. Such is my bad habit.
5. Murmur - I've actually not gotten around to listening to this one yet (though I do have it on my computer), but it does have "Radio Free Europe" on it, and I hear that's one of their classics. But that laziness on my part may be the only reason that this is ranked at the bottom.
Honorable Mention - Accelerate, which I don't have yet because Amazon is taking their sweet-ass time getting it to me.
Ryan's Top Five
In respect of R.E.M., I'll defer to my associates on this one--I love the REM that I know, but I know so pathetically little (save what everyone's heard on the radio) that I don't feel comfortable ranking albums. "Losing My Religion" is one of my favorite songs.
Monday, July 30, 2007
Top 5 Songs Containing the Word "World" in the Title
This is an even better idea than the "Sun" list, as there is an abundance of songs for consideration, and they're all usually good. Behold.
Dan's Top 5:
1. Duran Duran - Ordinary World - The most-liked Duran Duran song, apparently. I prefer to listen to most anything off Rio, but this is an amazing song. Probably the first song the group ever did that had some real meaning behind it, too.
2. Oasis - All Around The World - Probably the most infectious pop rock song I know, i would blast this at high volume when driving around, singing along with the "la la la's." Loses it's #1 spot, though, because of AT&T commercials.
3. Peter Gabriel - Secret World - Gradually becoming one of my favorite Peter Gabriel songs ever, it's fairly minimalist but still pretty powerful. Also appeals to me as a bass player. I can't really explain it, just listen to it.
4. David Bowie - The Man Who Sold the World - Our band almost covered this song. I love it's mix of a good guitar track with an awesome bass line.
5. Weezer - The World Has Turned and Left Me Here - For a while, this was my favorite track off the Blue Album. Of course, that's gradually fallen down a few notches, but really an oft-overlooked song.
Very honorable mentions: Cat Stevens - Wild World, R.E.M. - It's the End of the World As We Know It, Tears For Fears - Mad World, Tears For Fears - Everybody Wants to Rule The World, Van Halen - Top of the World
Ryan's Top 5
Like Dan, the honorable mentions for this Top 5 will be VERY honorable. Namely "Ordinary World," which in the end I had to bump for The Old 97's (safe in my knowledge that Dan would include it)...If I'm being honest I really prefer "Come Undone" to "Ordinary World." In any event...
1. Tears for Fears - Everybody Wants To Rule The World - I gave some thought to putting this at a spot other than #1, but this has been one of my favorite songs for almost a decade now, so I'd be lying if I slotted it anywhere but here. Anyone else notice that this Listing Things leads to run-on sentences?
2. David Bowie - The Man Who Sold The World - I almost put this third, but, again, I'd be lying. It's easy to forget how awesome this song is, but as soon as you play it, you hear the guitar, and you're reminded.
3. The Kinks - Nothin' In This World Can Stop Me Worrin' Bout That Girl - Another song from the excellent Rushmore soundtrack. The Kinks are a band I need to devote more attention to.
4. Cat Stevens - Wild World - I also need to devote more attention to Cat Stevens, because I love this song, Into White, Tea for the Tillerman, Here Comes My Baby (another Rushmore great).
5. The Old 97's - King Of All The World - Yet another band that deserves more of my attention, as I've heard roughly ten of their songs, and I've loved them all. This song is good enough to supplant Ordinary World for the five-spot.
Insanely honorable mentions: Duran Duran - Ordinary World, Tears for Fears - Mad World, Gary Jules - Mad World (TFF cover), Mark Mothersbaugh - Hardest Geometry Problem In The World (this would be cheating, I figured), Weezer - The World Has Turned And Left Me Here, Oasis - All Around The World, Daft Punk - Around the World, REM - It's The End Of The World As We Know It, Collective Soul - The World I Know, Paul Simon - All Around The World Or The Myth Of Fingerprints.
Tim's Top 5:
1. Wreckless Eric - Whole Wide World - The true test of any song's intrinsic greatness is how well it stands up to covers, particularly by lesser artists. In this case, the lesser artist was Will Ferrell in the movie Stranger Than Fiction...and it was still stunning. It's a deceptively simple song, but it has a real duality to it, starting very quietly and growing into a late 70s' Undertones-esque pop-punk masterpiece.
2. Neil Young - Rockin' in the Free World - The true test of any song's intrinsic greatness...sounds familiar. Anyway, Pearl Jam is not a lesser artist, but their versions of Rockin' in the Free World can't match Neil's own. It's revolutionary that he can put together this track and Harvest Moon in the span of a few years, but it speaks volumes about Neil Young's ability to play into any number of musical camps. The lyrics of this song are among the best I've ever encountered, and it has a real revolutionary ethos that appeals to me.
3. Old 97's - King of All the World - My recent period of listening to nothing but the Old 97's has indicated to me that I could easily go the rest of my life listening to nothing else, and I wouldn't feel my life was particularly empty because of it. This song is pure pop, more so than even most of the tracks on Satellite Rides, but it's a simple joy. It's a great kickoff to one of the best albums I own. What is it about the Old 97's that makes the first track on every album a masterpiece? Victoria, Time Bomb, Jagged, King of All the World, and Won't Be Home would be the best tracks 99.9% of all bands would ever put out...but they're just the first tracks on the five albums I've got.
4. Paul Simon - All Around the World or the Myth of Fingerprints - The fact that this song would fall fourth on nearly any list seems absurd to me, given that there was an entire month where it was the song set as my wakeup song on my alarm clock -- although given my insomnia, that means I likely woke up to it 10 times. It's my favorite track off Graceland, which is one of my favorite albums through and through, so it pains me to put it fourth...but honesty must prevail -- and it doesn't even come close to third.
5. Cat Stevens - Wild World - Another frequent appearance in my alarm clock, it's one of Cat Stevens' best, as proven by the Mr. Big cover that's not even bad (compare with Rod Stewart ruining The First Cut Is the Deepest and Sheryl Crow giving its ashes a golden shower).
Honorable mention - R.E.M. - World Leader Pretend -- an embarrassingly underappreciated song from Green; Sam Cooke - (What a) Wonderful World -- this was soiled by its association with Urkel; Pearl Jam - World Wide Suicide -- a song I didn't even care for until I actually figured out what the lyrics were...and instantly loved; Nothin' in the World Can Stop Me Worryin' Bout That Girl - an understated classic from the Kinks that singlehandedly makes Rushmore a great movie. Ok...the line "O.R. they?" did that...but the song is awesome.; The World Is Not Enough - Garbage -- a song I enjoy more than I should because of its association with a James Bond movie (albeit a poor one), that just missed the female singer list.
Dan's Top 5:
1. Duran Duran - Ordinary World - The most-liked Duran Duran song, apparently. I prefer to listen to most anything off Rio, but this is an amazing song. Probably the first song the group ever did that had some real meaning behind it, too.
2. Oasis - All Around The World - Probably the most infectious pop rock song I know, i would blast this at high volume when driving around, singing along with the "la la la's." Loses it's #1 spot, though, because of AT&T commercials.
3. Peter Gabriel - Secret World - Gradually becoming one of my favorite Peter Gabriel songs ever, it's fairly minimalist but still pretty powerful. Also appeals to me as a bass player. I can't really explain it, just listen to it.
4. David Bowie - The Man Who Sold the World - Our band almost covered this song. I love it's mix of a good guitar track with an awesome bass line.
5. Weezer - The World Has Turned and Left Me Here - For a while, this was my favorite track off the Blue Album. Of course, that's gradually fallen down a few notches, but really an oft-overlooked song.
Very honorable mentions: Cat Stevens - Wild World, R.E.M. - It's the End of the World As We Know It, Tears For Fears - Mad World, Tears For Fears - Everybody Wants to Rule The World, Van Halen - Top of the World
Ryan's Top 5
Like Dan, the honorable mentions for this Top 5 will be VERY honorable. Namely "Ordinary World," which in the end I had to bump for The Old 97's (safe in my knowledge that Dan would include it)...If I'm being honest I really prefer "Come Undone" to "Ordinary World." In any event...
1. Tears for Fears - Everybody Wants To Rule The World - I gave some thought to putting this at a spot other than #1, but this has been one of my favorite songs for almost a decade now, so I'd be lying if I slotted it anywhere but here. Anyone else notice that this Listing Things leads to run-on sentences?
2. David Bowie - The Man Who Sold The World - I almost put this third, but, again, I'd be lying. It's easy to forget how awesome this song is, but as soon as you play it, you hear the guitar, and you're reminded.
3. The Kinks - Nothin' In This World Can Stop Me Worrin' Bout That Girl - Another song from the excellent Rushmore soundtrack. The Kinks are a band I need to devote more attention to.
4. Cat Stevens - Wild World - I also need to devote more attention to Cat Stevens, because I love this song, Into White, Tea for the Tillerman, Here Comes My Baby (another Rushmore great).
5. The Old 97's - King Of All The World - Yet another band that deserves more of my attention, as I've heard roughly ten of their songs, and I've loved them all. This song is good enough to supplant Ordinary World for the five-spot.
Insanely honorable mentions: Duran Duran - Ordinary World, Tears for Fears - Mad World, Gary Jules - Mad World (TFF cover), Mark Mothersbaugh - Hardest Geometry Problem In The World (this would be cheating, I figured), Weezer - The World Has Turned And Left Me Here, Oasis - All Around The World, Daft Punk - Around the World, REM - It's The End Of The World As We Know It, Collective Soul - The World I Know, Paul Simon - All Around The World Or The Myth Of Fingerprints.
Tim's Top 5:
1. Wreckless Eric - Whole Wide World - The true test of any song's intrinsic greatness is how well it stands up to covers, particularly by lesser artists. In this case, the lesser artist was Will Ferrell in the movie Stranger Than Fiction...and it was still stunning. It's a deceptively simple song, but it has a real duality to it, starting very quietly and growing into a late 70s' Undertones-esque pop-punk masterpiece.
2. Neil Young - Rockin' in the Free World - The true test of any song's intrinsic greatness...sounds familiar. Anyway, Pearl Jam is not a lesser artist, but their versions of Rockin' in the Free World can't match Neil's own. It's revolutionary that he can put together this track and Harvest Moon in the span of a few years, but it speaks volumes about Neil Young's ability to play into any number of musical camps. The lyrics of this song are among the best I've ever encountered, and it has a real revolutionary ethos that appeals to me.
3. Old 97's - King of All the World - My recent period of listening to nothing but the Old 97's has indicated to me that I could easily go the rest of my life listening to nothing else, and I wouldn't feel my life was particularly empty because of it. This song is pure pop, more so than even most of the tracks on Satellite Rides, but it's a simple joy. It's a great kickoff to one of the best albums I own. What is it about the Old 97's that makes the first track on every album a masterpiece? Victoria, Time Bomb, Jagged, King of All the World, and Won't Be Home would be the best tracks 99.9% of all bands would ever put out...but they're just the first tracks on the five albums I've got.
4. Paul Simon - All Around the World or the Myth of Fingerprints - The fact that this song would fall fourth on nearly any list seems absurd to me, given that there was an entire month where it was the song set as my wakeup song on my alarm clock -- although given my insomnia, that means I likely woke up to it 10 times. It's my favorite track off Graceland, which is one of my favorite albums through and through, so it pains me to put it fourth...but honesty must prevail -- and it doesn't even come close to third.
5. Cat Stevens - Wild World - Another frequent appearance in my alarm clock, it's one of Cat Stevens' best, as proven by the Mr. Big cover that's not even bad (compare with Rod Stewart ruining The First Cut Is the Deepest and Sheryl Crow giving its ashes a golden shower).
Honorable mention - R.E.M. - World Leader Pretend -- an embarrassingly underappreciated song from Green; Sam Cooke - (What a) Wonderful World -- this was soiled by its association with Urkel; Pearl Jam - World Wide Suicide -- a song I didn't even care for until I actually figured out what the lyrics were...and instantly loved; Nothin' in the World Can Stop Me Worryin' Bout That Girl - an understated classic from the Kinks that singlehandedly makes Rushmore a great movie. Ok...the line "O.R. they?" did that...but the song is awesome.; The World Is Not Enough - Garbage -- a song I enjoy more than I should because of its association with a James Bond movie (albeit a poor one), that just missed the female singer list.
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