Top 5 Songs on the Top 5 Albums by Your Top 5 Artists

By far the most ambitious project we've undertaken on this blog, but for our 100th post, could you expect anything else? I'm going to assume for the sake of variety that all these lists are personal preferences, lest we get three instances of The Beatles at #1. Of course, if anyone else is trying to fool themselves by being be objective, then by all means.

Dan's Top 5:
I'm pretty satisfied with this list, having included less than ten songs out of 125 that I don't listen to regularly. I was really considering adding Bowie instead of Pink Floyd, but I had called Floyd my favorite for so long in high school, and Bowie is just too hard to whittle down to five albums.

1. Peter Gabriel




1. Peter Gabriel 3


1. Games Without Frontiers


2. I Don't Remember


3. Biko


4. No Self Control


5. Intruder


2. So


1. Sledgehammer


2. Red Rain


3. In Your Eyes


4. Big Time


5. That Voice Again


3. Peter Gabriel 4


1. Shock The Monkey


2. I Have The Touch


3. The Rhythm of the Heat


4. San Jacinto


5. Lay Your Hands On Me


4. Us


1. Secret World


2. Come Talk To Me


3. Digging In The Dirt


4. Blood of Eden


5. Kiss That Frog


5. Peter Gabriel


1. Solsbury Hill (my favorite song ever, and it's on one of his worst albums. Really, Up deserves to be here. But whatever.)


2. Moribund the Burgermeister


3. Modern Love


4. Down the Dolce Vita


5. Humdrum




2. Muse




1. Black Holes and Revelations


1. Invincible


2. Knights of Cydonia


3. Take A Bow


4. Starlight


5. Supermassive Black Hole


2. Absolution


1. Stockholm Syndrome


2. Butterflies And Hurricanes


3. Hysteria


4. Thoughts of a Dying Atheist


5. Falling Away With You


3. Origin of Symmetry


1. New Born


2. Plug In Baby


3. Bliss


4. Citizen Erased


5. Micro Cuts


4. H.A.A.R.P.


1. Knights of Cydonia (Live)


2. Butterflies And Hurricanes (Live)


3. Stockholm Syndrome (Live)


4. Hysteria (Live)


5. Invincible (Live)


5. Showbiz


1. Showbiz


2. Falling Down


3. Cave


4. Sober


5. Uno




3. Radiohead




1. The Bends


1. My Iron Lung


2. Fake Plastic Trees


3. Street Spirit (Fade Out)


4. Planet Telex


5. Just


2. OK Computer


1. No Surprises


2. Airbag


3. Paranoid Android


4. Karma Police


5. Climbing Up The Walls


3. Hail To The Thief


1. There There. (The Boney King of Nowhere.)


2. A Punchup at a Wedding. (No no no no no no no no.)


3. 2 + 2 = 5 (The Lukewarm.)


4. Where I End and You Begin. (The Sky is Falling In.)


5. Go to Sleep. (Little Man Being Erased.)


4. In Rainbows


1. Reckoner


2. Bodysnatchers


3. Videotape


4. House of Cards


5. Weird Fishes/Arpeggi


5. Kid A - it took me forever to warm up to this album


1. Optimistic


2. Everything In Its Right Place


3. Idioteque


4. The National Anthem


5. Morning Bell




4. Duran Duran




1. Rio


1. Hungry Like The Wolf


2. Rio


3. Save a Prayer


4. Hold Back The Rain


5. The Chauffeur


2. The Wedding Album


1. Ordinary World


2. Come Undone


3. Too Much Information


4. Breath After Breath


5. Love Voodoo


3. Duran Duran


1. Planet Earth


2. Girls on Film


3. Careless Memories


4. Night Boat


5. Anyone Out There


4. Red Carpet Massacre


1. Falling Down


2. Tricked Out


3. Skin Divers


4. Nite Runner


5. Red Carpet Massacre


5. Seven And The Ragged Tiger


1. The Reflex


2. The Union Of The Snake


3. New Moon On Monday


4. Of Crime and Passion (OK, I don't listen to these last two at all. But what am I going to do, say I like Medazzaland?)


5. The Seventh Stranger




5. Pink Floyd




1. The Dark Side of the Moon


1. Brain Damage


2. Eclipse


3. Time


4. Us And Them


5. Money


2. The Wall


1. Comfortably Numb


2. Run Like Hell


3. Nobody Home


4. Another Brick In The Wall, Part 2


5. Mother


3. Wish You Were Here


1. Wish You Were Here


2. Shine On You Crazy Diamond (Parts I - V)


3. Shine On You Crazy Diamond (Parts VI - IX)


4. Have A Cigar


5. Welcome To The Machine


4. Animals


1. Sheep


2. Pigs (Three Different Ones)


3. Dogs


4. Pigs On The Wing (Part One)


5. Pigs On The Wing (Part Two)


5. Meddle


1. Echoes


2. One Of These Days


3. Fearless


4. A Pillow Of Winds


5. San Tropez (I hate this song, but I hate "Seamus" even more.)

Ryan's Top A Lot:

1. The Beatles
   




1. Sgt. Pepper's Lonely Hearts Club Band
   


1. A Day in the Life (again this song pops up in the #1 spot, maybe it IS my favorite song of all-time, I just don't realize it...)
   


2. Sgt. Pepper's Lonely Hearts Club Band
   


3. Lucy in the Sky with Diamonds
   


4. Getting Better
   


5. Good Morning Good Morning
   


2. Abbey Road
   


1. Here Comes the Sun
   


2. The End
   


3. I Want You (She's So Heavy)
   


4. Because
   


5. You Never Give Me Your Money (note: ranking these was very difficult, esp. due to my refusal to consider the medley one song...otherwise the medley should be anyone's #1) (other note: Mean Mr. Mustard sounds like it could actually be on Nilsson's "The Point!")
   


3. Magical Mystery Tour
   


1. I Am The Walrus
   


2. Strawberry Fields Forever
   


3. All You Need Is Love
   


4. Hello, Goodbye (my dad's favorite, incidentally)
   


5. Penny Lane
   


4. The Beatles (White Album)
   


1. Happiness is a Warm Gun
   


2. Helter Skelter
   


3. Dear Prudence (I freely admit I have problems ranking #s 2 and 3, see the White Album list and the Top 5 Beatles songs list)
   


4. While My Guitar Gently Weeps
   


5. Back in the U.S.S.R.
   


5. Revolver
   


1. Eleanor Rigby
   


2. Yellow Submarine
   


3. Taxman
   


4. Got To Get You Into My Life
   


5. And Your Bird Can Sing (whew--I don't know what I was expecting with this list, but it is definitely proving a lot more difficult than planned... If The Beatles was that hard, I worry about the projects to come...)
   


2. Harry Nilsson
   




1. The Point!
   


1. Me and My Arrow
   


2. Think About Your Troubles (note: so damn good)
   


3. Everything's Got 'Em
   


4. Poli High
   


5. Life Line
   


2. Aerial Ballet
   


1. Everybody's Talkin'
   


2. Good Old Desk (a personal favorite...oh, right, we're doing a list about this)
   


3. Don't Leave Me (excellent scat)
   


4. Daddy's Song
   


5. One (not really one of my favorite songs, but still good...see Coconut below...I originally ranked Nilsson Schmilsson above Aerial Ballet, until I realized this was simply not the case; anyway, I typed up the rant about Coconut before this rant. I'll stop now.)
   


3. Nilsson Schmilsson


1. The Moonbeam Song


2. Gotta Get Up


3. Without You (really overdone, but this song is still good, damn it)


4. Jump Into The Fire


5. Coconut (admittedly not my favorite Nilsson song, but still a good song...I've downgraded it to 5...this song mainly irritates me because whenever you do a search for Nilsson, anywhere--google, limewire, etc.--this is the first song to pop up. I mean, Nilsson had so many better songs than this one. Meh, whatever.)


4. Harry


1. I Guess The Lord Must Be In New York City
   


2. The Puppy Song
   


3. Mother Nature's Son (per wiki, this was the Beatles' favorite cover of one of their songs)
   


4. Mr. Bojangles
   


5. Nobody Cares About The Railroads Anymore
   


5. Pandemonium Shadow Show
   


1. 1941
   


2. Sleep Late, My Lady Friend
   


3. Without Her
   


4. Cuddly Toy (hmm, here's some random Nilsson song titles: cuddly toy, the puppy song, good old desk, the moonbeam song...in many ways he appeals to the 4-year-old in me)
   


5. You Can't Do That
   




3. Ben Folds/Five (nuts to you if you think this is cheating)
   




1. Whatever and Ever Amen
   


1. Brick
   


2. One Angry Dwarf and 200 Solemn Faces
   


3. Evaporated


4. The Battle Of Who Could Care Less
   


5. Kate
   


2. Ben Folds Five
   


1. Alice Childress
   


2. Philosophy
   


3. Jackson Cannery
   


4. Boxing


5. Julianne
   


3. Rockin' the Suburbs
   


1. Still Fighting It
   


2. Not The Same
   


3. The Luckiest
   


4. Zak and Sara
   


5. Annie Waits
   


4. Naked Baby Photos (this is a compilation CD of previously unreleased tracks, but it has my two favorite BFF songs on it, so I have to include it...see #s 1-2)
   


1. Eddie Walker
   


2. Emaline
   


3. Underground (the best version of it)
   


4. For Those Of Y'All Who Wear Fanny Packs
   


5. Twin Falls
   


5. Songs for Silverman
   


1. Landed
   


2. Time
   


3. Prison Food
   


4. Bastard
   


5. Late (the first of two tributes to Elliot Smith to appear on this list...see BDB below)
   




4. Badly Drawn Boy
   




1. One Plus One Is One
   


1. Four Leaf Clover
   


2. Year of the Rat
   


3. Fewer Words (the other tribute to E.S.)
   


4. Logic Of A Friend
   


5. One Plus One Is One
   


2. About A Boy
   


1. Something To Talk About
   


2. A Minor Incident
   


3. Silent Sigh
   


4. I Love N.Y.E.
   


5. Donna and Blitzen
   


3. The Hour of the Bewilderbeast
   


1. The Shining
   


2. Disillusion
   


3. Once Around The Block
   


4. Pissing In The Wind
   


5. Everybody's Stalking (this song does not sound like a BDB song)
   


4. Born in the U.K.
   


1. Born in the U.K.
   


2. The Time of Times
   


3. Journey from A to B
   


4. Degrees of Separation
   


5. Promises
   


5. Have You Fed The Fish?
   


1. You Were Right
   


2. Born Again
   


3. Have You Fed The Fish?
   


4. All Possibilities
   


5. The Further I Slide
   




5. John Lennon (solo career)
   




1. Imagine
   


1. Imagine
   


2. Oh Yoko!
   


3. Jealous Guy
   


4. How Do You Sleep? (or, "Suck it McCartney!")
   


5. Oh My Love
   


2. John Lennon/Plastic Ono Band
   


1. God
   


2. Working Class Hero (he says "fuck" twice. Cool.)
   


3. Mother
   


4. Isolation (hey, according to wiki, this is one of Roger Waters' favorite songs of all-time)
   


5. Remember (man this song takes me back to my Lennon obsession in high school)
   


3. Mind Games
   


1. Meat City
   


2. Mind Games (as sung by Kevin Spacey.) (maybe not.)
   


3. Tight A$
   


4. Aisumasen (I'm Sorry)
   


5. Bring on the Lucie (Freeda People)
   


4. Double Fantasy
   


1. Watching the Wheels
   


2. (Just Like) Starting Over
   


3. Beautiful Boy (Darling Boy) (has "Life is what happens to you while you're busy making other plans" in it)
   


4. Woman
   


5. I'm Losing You
   


5. Rock 'n' Roll
   


1. Stand By Me
   


2. Be-Bop-A-Lula
   


3. Rip It Up/Ready Teddy
   


4. Ain't That A Shame
   


5. Peggy Sue
   

Tim's Top 5:

Given that the formatting would take forever, in part because I'm down to typing with six fingers and because it's blurring lines together, I'm forsaking it for now.

I. The Beatles –

A. Abbey Road
1. Polythene Pam
2. Something
3. Here Comes The Sun
4. You Never Give Me Your Money
5. Golden Slumbers

B. Revolver
1. Taxman
2. Tomorrow Never Knows
3. She Said She Said
4. Eleanor Rigby
5. Got to Get You Into My Life

C. Rubber Soul
1. Run For Your Life
2. In My Life
3. Norwegian Wood (This Bird Has Flown)
4. You Won’t See Me
5. The Word

D. Sgt. Pepper’s Lonely Hearts Club Band
1. Sgt. Pepper’s Lonely Hearts Club Band (reprise)
2. A Day in the Life
3. Lovely Rita
4. Getting Better
5. Good Morning Good Morning

E. A Hard Day’s Night
1. Things We Said Today
2. Can’t Buy Me Love
3. A Hard Day’s Night
4. You Can’t Do That
5. If I Fell

II. Pearl Jam –

A. Yield
1. Faithful
2. Wish List
3. In Hiding
4. Given To Fly
5. Brain of J.

B. Vs.
1. Elderly Woman Behind The Counter In A Small Town
2. Rearviewmirror
3. Glorified G
4. Daughter
5. Animal

C. Riot Act
1. Save You
2. Love Boat Captain
3. I Am Mine
4. Thumbing My Way
5. Can’t Keep

D. Vitalogy
1. Corduroy
2. Not For You
3. Spin the Black Circle
4. Last Exit
5. Immortality

E. Pearl Jam
1. Life Wasted
2. Gone
3. World Wide Suicide
4. Come Back
5. Severed Hand

III. Bruce Springsteen –

A. Born to Run
1. Thunder Road
2. Born to Run
3. Backstreets
4. Jungleland
5. Tenth Avenue Freeze Out

B. The Rising
1. Lonesome Day
2. The Rising
3. Worlds Apart
4. Into the Fire
5. Mary’s Place

C. Darkness on the Edge of Town
1. The Promised Land
2. Darkness on the Edge of Town
3. Prove It All Night
4. Badlands
5. Adam Raised a Cain

D. Born In The U.S.A.
1. No Surrender
2. Darlington County
3. My Hometown
4. Bobby Jean
5. Glory Days

E. The River
1. The Ties That Bind
2. Independence Day
3. The River
4. You Can Look (But You Better Not Touch)
5. Out in the Street

IV. Elliott Smith

A. Figure 8
1. Stupidity Tries
2. Son of Sam
3. Everything Reminds Me Of Her
4. Pretty Mary K
5. Junk Bond Trader

B. Either/Or
1. Ballad of Big Nothing
2. Pictures of Me
3. Speed Trials
4. Between the Bars
5. Alameda

C. XO
1. Waltz #2 (XO)
2. Bled White
3. Independence Day
4. Baby Britain
5. Bottle Up and Explode!

D. From A Basement on a Hill
1. Pretty (Ugly Before)
2. Coast to Coast
3. A Distorted Reality Is Now A Necessity To Be Free
4. A Fond Farewell
5. Shooting Star

E. Roman Candle
1. No Name #1
2. Condor Ave.
3. No Name #3
4. Roman Candle
5. Last Call

V. Guided by Voices

A. Mag Earwhig!
1. I Am A Tree
2. Jane of the Waking Universe
3. Portable Men’s Society
4. Can’t Hear the Revolution
5. Bulldog Skin

B. Isolation Drills
1. The Brides Have Hit Glass
2. Fair Touching
3. Twilight Campfighter
4. Skills Like This
5. Chasing Heather Crazy

C. Bee Thousand
1. Tractor Rape Chain
2. Echos Myron
3. Smothered in Hugs
4. I Am A Scientist
5. Gold Star For Robot Boy

D. Alien Lanes
1. Game of Pricks
2. Watch Me Jumpstart
3. A Salty Salute
4. Blimps Go 90
5. My Valuable Hunting Knife

E. Under the Bushes Under the Stars
1.Cut Out Witch
2. Don’t Stop Now
3. The Official Ironman Rallying Song
4. Underwater Explosions
5. Your Name Is Wild

Top 5 Songs For a Monday Morning

(Note for Ryan and Tim - After trying to scan old posts, I've noticed now that it's better if the individual entries are bolded - along with "[name]'s Top 5:" and "Honorable Mentions" - to better set the important text apart from the commentary. I propose we use this format from now on, especially since it's easier to put the html in.)

Another list idea borrowed from High Fidelity. I'm unsure what criteria I want to use to judge whether a song is good for a Monday morning. I think personally, it's going to be (a) a personal extra-favorite, and (b) something that's uplifting or powerful in some fashion. Really, these are the songs I use to feel good and be thankful that I know how to find music I like. Ryan and Tim can use alternate criteria for your own lists.

Dan's Top 5:

1. "All Around The World" - Oasis - This is pure sunshine somehow harvested and stored in musical form. I'm just waiting for that point at 5:34 when they break into that "Laaaa la la, la La la, la La la la La-La Laaaaa." At that precise moment, it's like balloons and confetti are raining down on me, and I should probably be having some psychedelic drug experience that made hippies claim the word "love" as their own. If it's in my car, then I have the volume cranked and I'm singing/shouting along. God help anyone who happens to be in the passenger seat.

2. "Stockholm Syndrome" - Muse - The best Muse song ever if Black Holes and Revelations didn't exist. To see this song played live is a real treat, and it's usually their last song. Accomplishes both being uplifting (the piano arpeggiation behind the lyrics, "This is the last time I'll abandon you") and extreme, powerful, ass-kicking (literally every other moment of the song.) If only I had discovered Muse between the release of Absolution and Black Holes and Revelations, then I probably would have listened to this song every single day, while constantly being blown away. Wait, no... that's what I did anyway.

3. "My Iron Lung" - Radiohead - This used to be my favorite Radiohead song ever, but now the spot is disputed. Anyway, I feel this is a superb example of balancing a simple, quiet, melodic two-chord verse with a raw study of ass-kickery in the chorus. It also scores bonus points because it was the band's follow-up to "Creep" from the prior debut album, and the lyrics reflect how the success of that single had constrained their creativity ("this is our new song / just like the last one / a total waste of time / my iron lung"). Creep is alright, but I hate it for being the atypical signature song that people identify with this band.

4. "Everyone's a V.I.P. to Someone" - The Go! Team - I remember putting "uplifting" as a possible criterion for populating this list, so I realized that I just had to include a Go! Team song. At first, I was averse to this song because it was introduced with the banjo, but then I realized that I don't hate the banjo, just a majority of music that features it. I now regard this as one of the best feelgood instrumental tracks I know of, possibly even better than "Feelgood By Numbers," ironically, which is on the same album.

5. "Novacane" - Beck - "Monkey, baby!" This is one of my favorite badass songs, and probably should have been included back when we did Top 5 Songs to Blast While Driving. When the song peaks at "NOVACANE!" you feel like you could probably punch or shoot something. You know, one of those faux-badass moments. However, the energy isn't sustained, and the song quickly settles back down for the bizarre effects-laden outro, which really takes away from the force of the song.

Honorable Mentions: "Sabotage" - The Beastie Boys, "Feelgood by Numbers" - The Go Team, "The Number of the Beast" - Iron Maiden, "It's the End of the World As We Know It (And I Feel Fine)" - R.E.M., "A Town Called Malice" - The Jam, "Invincible" - Muse, "The Infanta" - The Decemberists

Top 5 Best Songs on the Album

This concept is pretty simple - while it's not necessary that the rest of the album on which these songs appear are bad, the songs listed here stand head and shoulders above the rest, and very well may be the only reason you own the album (if you do). So while a song like "A Day in the Life" is amazing, you wouldn't list it here because it was on Sgt. Pepper, and that whole album was amazing. Personally, I'm not counting obvious one-hit wonders, as that is too cheap - it has to be an established artist, and a decent album in general. So with that introduction taken care of...

Dan's Top 5:

1. "Solsbury Hill" from Peter Gabriel by Peter Gabriel - I've repeatedly stated that this song is my favorite song ever. If you could combine sex, drugs, and Twinkies into a single consumable substance, the result would not make me feel as good as this song does. The preceding track, "Moribund the Burgermeister," is another favorite of mine, but a small part of its magic is derived from the fact that you know the next song is "Solsbury Hill." Unless your music player is on shuffle. Probably the key to its brilliance was that Gabriel wrote it as an explanation of why he left Genesis to pursue a solo career. Fortunately, he had enough momentum from this song to carry him through not one but two poor albums - and boy, was Peter Gabriel II bad - before finally releasing Peter Gabriel III, my favorite of his catalog and the record that started bringing him some commercial success with the single "Games Without Frontiers."

2. "Under the Bridge" from Blood Sugar Sex Magik by The Red Hot Chili Peppers - Some may wish to crucify me with extra-blunt nails for this. But to me, there is everything else on the album, which is collectively a pretty good study of modern funk and definitely RHCP's best album, and then there's this song, which is one of the greatest 90's alternative songs period. It was a time when RHCP decided to stop being so much of a joke band, but before they became a joke again for trying so often to reproduce the mellow, pop-oriented sounds of "Under the Bridge."

3. "I Might Be Wrong" from Amnesiac by Radiohead - In this case, the rest of the album is pretty bad. "Knives Out" is a pretty good song, and the rest are somewhat listenable at best. This particular song, however, really rocks. It features a main riff in drop-D tuning, and now that I mention it, an actual guitar track, which was such a rarity for this album. In my opinion (but not the opinion of very many others who would self-apply the label of "Radiohead fan") this was Radiohead at their lowest point. In my quest to eventually find all the Radiohead albums on vinyl, I'd happily skip Amnesiac were it not for this awesome little tune.

4. "Regret" from Republic by New Order - Man, I can't believe I missed this one originally. New Order is a great band (though I don't know if anyone else on the Top 5 committee is going to agree with me). There are a ton of great tracks in their catalogue (just pick up their "Singles" two-disc set and you'll see what I mean), but this song is by far my personal favorite, and it's the band's highest-charting single in the US. The rest of the album contains a handful of good songs, such as "World" and "Spooky," but "Regret" is one of those songs that might get you listening to New Order in the first place. I dare say it would be worth it to see New Order live if they just played this and "Ceremony."

5. "Every Breath You Take" from Synchronicity by the Police - There are a number of really good songs on the album, such as "King of Pain" and "Synchronicity II." But this song is a behemoth, destroying skyscrapers in Tokyo and sending schoolchildren fleeing in terror. It was one of the songs that dominated the 80's, despite the fact that is was a song about stalking someone and written with a dusty old chord progression straight from Motown (G, Em, C, D). Despite it being overplayed as all hell, it's still a really good song, and stands in a class of its own above even the rest of the Police's best album. Of course, those other songs I mentioned are damn good, so this has to drop down to #5 on my list.

Honorable mention: "True" from True by Spandau Ballet, "Notorious" from Notorious by Duran Duran, "Just Like Honey" from Psychocandy by The Jesus and Mary Chain.

Ryan's Top 5:

This was harder than anticipated. I've stretched the logic a bit. Hi, I'm Ryan.

1. "Hotel California" from The Very Best Of The Eagles by The Eagles - I'm sorry, but The Eagles suck. I remember hearing David Spade talk about how he went to an Eagles concert and they had the balls to open up with "Hotel California." It'd be pretty convenient, I suppose, if this happened. Beat the traffic!

2. "Free Bird" from Pronounced by Lynyrd Skynyrd - I apologize to any Skynyrd fans out there. Wait, no I don't. Anyway, I've never been a fan of most of their non-Free-Bird stuff. (I call it Hotel-California-Syndrome.)

3. "American Pie" from American Pie by Don McLean - OK, hotshot, you try listening to any of the other songs on the album without falling asleep. I'll wake you up when you're ready to admit defeat.

4. "Carry On My Wayward Son" from Leftoverture by Kansas - Well, I assume. I'll admit that I haven't made it through the entire album. Prove me wrong, closet Kansas fans, prove me wrong!

5. "Dream On" from Aerosmith by Aerosmith - Aerosmith does not have another song equal to this one. I already used the Best Of trick with The Eagles, though, and I don't feel comfortable doing it with Aerosmith ("Walk This Way" et. al. are pretty good...Aerosmith circa 1980-present just plain sucks, though. Do not tell me that the Walk This Way/Run DMC remix is good. No. No. No. No.)

Tim's Top 5:

I won't include compilations, greatest hits albums, or albums I don't own.

1. "Let's Get It On" from Let's Get It On by Marvin Gaye - I own the remastered version of Let's Get It On that has bonus tracks on it. Thus, this has to top the list, because the two best songs on the album are "Let's Get It On". Sure, there's other songs on the album that are okay, "Distant Lover" would become a classic, but this song is so timelessly carnal and represents one of Marvin Gaye's best vocal performances ever. I don't know what percentage of children conceived in 1973 were conceived while this song was playing or were conceived as a direct result of this song, but I'd have to venture that it's probably greater than 1%.

2. "Roc Boys (and the winner is...)" from American Gangster by Jay-Z - The album is good, eventually, though it took its time to grow on me. But nothing else on the album has one shred of energy compared to this horn-laden endorphin dump that is really Jay-Z giving in to Kanye's pop sensibility in its entirety.

3. "Dry the Rain" from The Three E.P.'s by The Beta Band - Rob was right to play "Dry the Rain" in order to sell his copies of The Three E.P.s, because the other tracks on them...are uniformly not very impressive. "Needles In My Eyes" is my second favorite song on the album, apparently, and I've listened to it once.

4. "Common People" from Has Been by William Shatner - The Pulp song may be the best on its album, but it makes this otherwise largely-forgettable pastiche of odd songs and spoken word from William Shatner. There's something frightfully wonderful about him saying "chip stain grease" like it's something quaintly American.

5. "Spitting Games" from Final Straw by Snow Patrol - This song is so unlike most of what Snow Patrol has recorded, I don't know what exactly the music in the intro is composed of, but I wholeheartedly support it. I got hooked on this song when it was on MVP Baseball in some year, but I'd forgotten its existence until shortly after "Chasing Cars" began getting way too much airplay. It sounds heavily-produced like the first album from The Bravery (also guilty of appearing in MVP Baseball), but actually executed in a proper fashion. When they opened their concert in Camden with Spitting Games last year, I honestly felt like I was ready to go, it was going to be their high point, and I'd already seen OK Go. While I like the remainder of their work, it's just not on the same level.

Honroable mention: "Jeepster" from Electric Warrior by T. Rex - Electric Warrior is supposed to be the paragon of glam rock along with Ziggy Stardust. There's only one problem. The album's not very good. I had originally slotted it at #3 in my list before I realized that although I used to have the album during Cornell's free napster period, I don't have it now. So it warrants mention; "Nothin' Better To Do" from Boo-Tay by Bare Jr.; "No Name #1" from Roman Candle by Elliott Smith; "My Eyes" from The Boy With No Name by Travis

Top 5 Songs About Death

Ryan was watching High Fidelity on the road to Virginia, and felt the need to text this topic to me so we wouldn't forget to do it. For me at least, it wasn't hard at all to leave off any songs from the aforementioned list now immortalized in literature and film. So without further ado...

Dan's Top 5:

1. "Keep Me In Your Heart" - Warren Zevon - The rare case (actually, I'm unsure if there's ever been another case) where the songwriter himself knows that he hasn't got much longer to live. Sadly, I remember that at the time the song was released, I didn't know who Zevon was. I thought he might have been one of those "boring" songwriters that the 70's produced far too many of. Only after I got hooked on Excitable Boy did I realize the connection. To this day, one of the very few songs that can get me choked up.

2. "Do You Realize??" - The Flaming Lips - Very cheery-sounding for a song about death (really, there's no death occurring, but it is a reflection on mortality) To quote the lyrics: "Do you realize that everyone you know someday will die? And instead of saying all of your goodbyes - let them know you realize that life goes fast. It's hard to make the good things last" It does what I like death songs to do - focus on the good parts of life. And how can you not do that on an album featuring pink robots?

3. "Thoughts of a Dying Atheist" - Muse - I'm really surprised that this song has such a happy-sounding chord progression in the chorus. The music seems in direct contrast to the feeling of the lyrics. I mean, such an upbeat chorus doesn't sound like it fits with the lyrics "eerie whispers trapped beneath my pillow" and "Are you afraid to die?" But hey, I don't question Matt Bellamy, and neither should you.

4. "I Grieve" - Peter Gabriel - I remember being shocked seeing a new Peter Gabriel with no hair and a white goatee when he released his 2003 album, Up. After hearing that this was his darkest album ever (I disagree - that accolade goes to PG III) I always skipped this song out of pure fear that I would be too depressed. However, it surprisingly has an uplifting section towards the middle/end of the song. Do yourself a favor and don't just read the lyrics though.

5. "Street Spirit (Fade Out)" - Radiohead - Widely considered Radiohead's first really good song, and off of what is probably my personal favorite album. More haunting than anything, I don't know of any Radiohead fan who doesn't like it. (Then again, most Radiohead fans are so in love with the band that they call you an infidel if you even state you're open to the possibility that there can be a greater band on the face of the planet. That's my only worry about claiming to be a Radiohead fan - that I'll look like an asshole.) Anyway, this song is a solid choice to round out the Top 5, and I don't think I've given Radiohead a shout-out lately.

Ten honorable mentions in no order: "Don't Fear The Reaper" - Blue Öyster Cult, "When The Man Comes Around" - Johnny Cash, "I Don't Like Mondays" - The Boomtown Rats (regarding a senseless school shooting in America), "American Pie" - Don McLean, "Paint It, Black" - The Rolling Stones, "Eleanor Rigby" - The Beatles, "Candle In the Wind" - Elton John, "A Day In The Life" - The Beatles, "Tears In Heaven" - Eric Clapton (probably number 6 - a song about his four-year-old son is pretty powerful.), "Always Look On The Bright Side Of Life" - Monty Python

Ryan's Top 5:

"The night Laura's daddy died. Sha na na na na na na na na! Brother what a night it really was. Mother what a night it really... angina's tough! Glory be!"

1. "Casimir Pulaski Day" - Sufjan Stevens - Sufjan Stevens is a Christian, and this is a song written from a Christian perspective. That said, this song reflects loss on a personal level, without espousing any view of Why Death Happens To Who It Does; on the contrary, the speaker of the song is at a loss for understanding. The singer can't understand why "He takes and He takes and He takes..." The music is beautiful and sounds almost optimistic (the lyric "Oh the glory!" begins new verses). I don't know, the disparity between music and lyrics gives me the sense that there is, in fact, an understanding of death to be had, it's just impossible to realize it when someone close dies. Who needs a drink?

2. "A Minor Incident" - Badly Drawn Boy - The concept of this song alone is brilliant. Written by Damon Gough for "About a Boy," this is supposed to be the suicide letter Fiona writes to her son Marcus, put to music. You've got to appreciate the verbal irony of referring to the event as a "minor incident." (I'm a big fan of irony.) And it's just Damon Gough, acoustic guitar, and harmonica. Excellent.

3. "Five Years" - David Bowie - The lyrics are pretty epic.  "Five years--that's all we've got!"

4. "Eleanor Rigby" - The Beatles - Where do all the lonely people belong anyway? Asking questions that don't have answers seems to be a trend on this list...

5. "Hurricane" - Bob Dylan - I was obsessed with this song for a brief period in high school, and it feels like I haven't played it since. Anyway, here's Dylan the storyteller on display. And I really, really like the way he sings, "pool of bluuuud."

Honorable mention: "Let It Be," by The Beatles; "Brick" by Ben Folds Five; "Don't Fear the Reaper" by BOC; "Not Dark Yet" by Bob Dylan; "Mack the Knife" by Bobby Darin; "Five Years" by David Bowie; "Hey Joe" by The Jimi Hendrix Experience; "Shortly Before The End" by OK Go; "Always Look On The Bright Side Of Life" by Monty Python.

Tim's Top 5:

I had started a list like this that was limited to songs about murder, so my list is kind of guided in that direction, though I'm generally happy with it anyway.

1. "O Valencia" by The Decemberists - The Crane Wife is an awesome album if I recall correctly. Unfortunately, I never have a chance to recall correctly because I'm so enamored with this song that I never make it much beyond The Perfect Crime 2 before I have to go listen to it again. It's on the hyper-literate side, having been lifted pretty directly from Romeo & Juliet (Valencia is pretty much in the place of Mercutio). But it fits the category, given that Valencia utters a dying cry with her blood still warm on the ground.

2. "I-Feel-Like-I'm-Fixin-To-Die Rag" by Country Joe and the Fish - My parents had the Woodstock 3LP set, this was about the only thing from it that I find essential to this day. It's stretching a bit to put it in the category here, but it is an entire song themed on the death of people in Vietnam and the title eliminates any lingering doubts I have about putting it in here. One of the most bitter, but brilliant, sets of lyrics after concocted, it was Dead Kennedys before Jello Biafra.

3. "Lucifer" by Jay-Z - Again, this is a song that's themed on murder and revenge, rather than strictly death. But it's one of Kanye's best use of samples and it's a fantastic song even out of context, which is the reason I was reminded how awesome it is (it plays over the end credits of an episode of Entourage in season 2 or 3).

4. "Not Dark Yet" by Bob Dylan - This song is a stretch to include because it's more about dying rather than death. But it's Dylan at his creative pinnacle in Time Out of Mind and was used beautifully in Wonder Boys, which is itself a masterful elegy.

5. "American Pie" by Don McLean - This song may be the only reason ordinary people remember Buddy Holly in another 20 years. His music has largely fallen into the void along with pre-sequined jumpsuit Elvis Presley so that it's just not heard on the radio. But Don McLean created a song that's about Buddy's death but also about most everything that happened for the next ten years that doesn't wear out its welcome at over 8 minutes. And he had the prescience to do it several years before hating on Vietnam became politically necessary.

Honorable mention: "Murder Was The Case" by Snoop Dogg; "Jenny Was a Friend of Mine" by The Killers; "Traditional Irish Folk Song" by Denis Leary; "What Sarah Said" by Death Cab for Cutie; "A Fond Farewell" by Elliott Smith

Top 5 Concerts You've Been To

Straightforward and strictly self-referential for a change of pace.

Ryan's Top Five

1. Badly Drawn Boy, Liberty Hall, Lawrence, KS (Oct. 2004) - When I put down all the concerts I've been to in print (not as many as I had thought), this one is far and away the best. First off, you have to factor in this--what are the fucking odds of A) Badly Drawn Boy coming to America to tour, B) Badly Drawn Boy coming to Lawrence, KS, and C) Badly Drawn Boy coming to my favorite venue in the world? Secondly, I definitely got my money's worth; he played his best album, "One Plus One Is One" (which had just been released), in its entirety, then they took a break, then he came back and did a full concert of older songs, then he came back for an encore. The show lasted almost four hours. By the encore, he was drunk and ranting about the upcoming election and George W. Bush. And to top it off, the opener was good, an indie band from England called Adem. My favorite concert, bar none.

2. Duran Duran, NTelos Pavilion, Portsmouth, VA (Aug. 2005) - This was easily the biggest concert I've ever been to, and Duran Duran did not remotely disappoint. They opened with "Friends of Mine," then Simon Le Bon says hello to the crowd and screams, "IS ANYBODY HUNGRYYYYY?!" before they launch into "Hungry Like The Wolf." This strikes me as one of the coolest ways to begin a show, ever--give the public what they want. Adhering to this, they did just about every song you could want them to do, not letting their newer stuff overwhelm the act. This included my two favorites, "Come Undone" and "Ordinary World." And when he dedicated the latter to the military men and women overseas and their families left behind--Norfolk after all is a Navy town, and plenty of Navy folk were in the crowd--it actually wasn't cheesy, doubtless because the song itself is so fucking awesome. Downside: the opening act sucked. All in all though, great show.

3. Colin Meloy, Liberty Hall, Lawrence, KS (April 2008) - I was psyched for this concert but I'll admit I was a bit leery of an entirely acoustic set. Fortunately, this concert was pretty great, all told. He did plenty of "The Crane Wife," including kick-ass versions of "The Perfect Crime 2" and "O Valencia." He's a pretty good stand-up comedian to boot; at one point he said he didn't want to "get too footnotey, like some fucking David Foster Wallace novel." Finally, he finished by leading the crowd in a rollicking rendition (says I) of "The Mariner's Revenge Song."

4. Ben Folds Five, Sokol Auditorium, Omaha, NE (Oct. 1999) - The concert itself was great, but more than that, this was at 16 my First Real Concert I ever went to, you know, of music I had discovered on my own and had listened to religiously for two solid years. (See #5 for clarification of "First Real Concert.") They did a few songs from Reinhold Messner (released earlier that year) but focused primarily on Whatever And Ever Amen (one of my top 5 favorite albums) and their eponymous debut. Highlights included awesome renditions of "Philosophy," "One Angry Dwarf...," "Narcolepsy," and so on. It was all good. Side-note: Train was the opener, before they were big. I suppose I liked them then, or anyway I liked "Meet Virginia."

5. Hootie & the Blowfish, Some Nebraskan Ampitheatre, summer, I believe 1997 - OK, not the best of recollections about this one... though I know I still have the ticket stub somewhere. This, in all fairness, was the First Concert I ever went to, so I have to include it here. Actually, it's easy to laugh about Hootie & the Blowfish now, but... well OK, it was probably easy to do so then, but I was still 13 and only a few years removed from "Cracked Rear View." Hey, you know what, fuck you all, I like Hootie & the Blowfish.

All The Concerts I've Been To Follow (I am pretty sure I'm not forgetting any...):

Honorable Mentions:
- The Swell Season at the Uptown Theatre, KCMO (this is #6 if I were ranking them, great show)
- Ben Folds, the Lied Center (at KU, this was an awesome show and I suppose is tied for 6th)
- Ben Folds, Rufus Wainwright, Ben Lee at City Market, KCMO (would have been great if lightning didn't preclude Ben Lee entirely and persuade a skittish Rufus Wainwright to fly through his set)
- Ben Folds at some venue in Norfolk (Portside? Somethingerother? This is how much Hampton Roads is into Ben, my dad bought tickets for the three of us (him, me, Tory), we get there, and they're handing out free tickets at the door...Anyway, good show, but nothing particularly Top 5-worthy)
- Jurassic 5, Abe & Jake's in Lawrence (my only hip hop show)
- Ringo Starr and his All-Starr Band at the NTelos Pavilion in Portsmouth, VA (fun seeing a Beatle. Not quite as fun seeing members of Supertramp, ELP, et. al.)
- Nickel Creek at Liberty Hall (good concert, the music's not really my cup of tea, but still)

Dishonorable Mention:
- Tonic at Harbor View in Norfolk, VA (free concert...took forever for them to get onstage...after they performed about three songs we realized we didn't really give a shit about Tonic and left, which was enjoyable. They did have good barbecue, to be fair.)

Dan's Top 5:

1. Smashing Pumpkins, The Orange Peel, Asheville, NC (Jun. 30, 2007) - The Smashing Pumpkins did a residency for a little over a week in Asheville to promote Zeitgeist. I actually managed to get two tickets (a mere $20 each) out of I'm guessing 600 per show. The greatest thing about this concert was the venue. It's essentially the size of a school gym, so I got to stand about ten or fifteen feet away from Billy Corgan. Despite only beginning to get into Smashing Pumpkins at the time, it was still an amazing set. They played "Stand Inside Your Love," "Tonight, Tonight," and of course, "1979," which is a song that's in my Top 10, if not my Top 5 Songs of All Time. I Would have liked to see a show with the original lineup (i.e., with D'arcy and James) but let's not kid ourselves - Corgan is the band (for better or for worse - I blame him exclusively for Zeitgeist).

2. Gogol Bordello, The Lyric Theatre, Blacksburg, VA (October 18, 2007) - This one was a real surprise. I accepted a ticket after my roommate told me about the group, making this the first and only concert to go to where I didn't know any of the songs that would be played. For those who don't know of Gogol Bordello, the music is best described as Eastern European Gypsy Punk. Yeah, wrap your head around that. Anyway, I managed to squeeze into the front row, but of to the side, where there was no punk activity (minor crowd surfing and possible moshing took place) so I could focus on the performers. The concert ranks so high because I was right up front for an extremely high-energy show. All the performers were really into it, and I got to shake all their hands at the end of the set.

3. Radiohead, Verizon Wireless Amphitheater, Charlotte, NC (May 9, 2008) - I had to settle for lawn seats, but for fucking Radiohead, it didn't matter (I was in the front against the railing anyway). The band did twenty-four (24) songs and wrapped up by 11, letting me get back to Blacksburg by 2. It seemed fast at the time, but it was two-and-a-half hours. Naturally, they did their In Rainbows songs, but they also pulled a few tricks by playing songs like "Optmistic," "Exit Music (For a Film)" and "Planet Telex." The encore consisted of "Paranoid Android" and "Reckoner," and will probably be the best encore in the history of ever. My only complaint is that they didn't play any of my top three songs ("My Iron Lung," "No Surprises," "Fake Plastic Trees").

4. Rush, Verizon Wireless Amphitheater, Virginia Beach, VA (Jun. 22, 2007) - I've only been really into Rush for under a year, and this concert really made me a die-hard fan. I knew that each member of the trio was one of the best in the world at their instrument, but I wasn't expecting this level of awesomeness. I get to say I've seen a Neil Peart drum solo live, and that makes me happy. I didn't know but half of the songs, but one of the highlights was a clip of South Park introducing "Tom Sawyer." The band really has a good sense of humor. The encore was capped with "YYZ," which took it to a whole new level of kickass.

5. Sudflood XVIII, Top of the Stairs, Blacksburg, VA (Apr. 22, 2006) - I'm going to pull a fast one and include an all-day music fest that my former band, Rex Bedlam, played in. We were originally slated to play an hour and a half, but technical issues and other bands running over time shaved our set down to about half an hour to 45 minutes. The first song, our drummer broke his kick pedal, and the second song, our electric guitarist broke a string. However, we gave it our best and even managed to cover Zeppelin's "Black Dog." Afterwards, other visiting bands (all of which were good) gave us props during their sets. Pretty awesome. Oh yeah, we also got unlimited free beer for twelve hours.

Honorable Mentions (i.e., the rest of the concerts I've been to, ranked in descending order of greatness):

Muse w/ My Chemical Romance, Merriweather Post Pavilion, Columbia, MD - Muse fucking rule, but because they were openers, their set was a mere 45 minutes.

Red Hot Chili Peppers with Gnarls Barkley, John Paul Jones Arena, Charlottesville, VA - RHCP was really lackluster, as they played mostly newer songs (i.e., post-BSSM), but Gnarls Barkley was the shit. However, their bass was clipping because their sound levels were off, resulting in a non-ideal show.

The Last Dispatch, The Hatch Shell, Boston, MA - Dispatch's supposed final show ever. (They reunited recently at MSG for a series of benefit concerts.) Awesome music from a single band for three and a half hours, but way too many people, way too hot, and most of the fans were hippies.

ZZ Top, Ted Nugent, and Kenny Wayne Shepherd, Verizon Wireless Amphitheater, Virginia Beach, VA - This was my first concert ever, and I went with my dad (which, if you know my dad, is not an uncool thing to admit). It was pretty enjoyable, but Ted Nugent ruined his set for me when he avidly supported George W. Bush during some inter-song banter.

Carbon Leaf w/ Ben Lee, Burruss Hall Auditorium, Blacksburg, VA - I was in the second row for this one, and I'm a solid fan of Carbon Leaf. Ben Lee was pretty good too. I expect this to be the standard for an acceptable concert experience.

Sudflood XIX, Top of the Stairs, Blacksburg, VA - Overall, most of the bands were boring, but Carbon Leaf was there, and I found out that they did the show for free (proceeds this year went to the Hokie Spirit Memorial Fund). They also signed my copy of Echo Echo.

Ben Folds, Burruss Hall Auditorium, Blacksburg, VA - This concert makes me suspect that Ben Folds hates, for some reason, the state of Virginia, Virginia Tech or even me personally. He seemed really detached from the audience, and even forced us to listen to him start "Gracie" about five or six times because someone in the audience "woo"-ed in approval. (He neared completion of it twice, only to start it over.) What a douche.

O.A.R. w/ Michael Franti and Spearhead, Burruss Hall Auditorium, Blacksburg, VA - I think I was in the front row for this, but let's be honest, O.A.R. sucks. Spearhead was pretty cool, though.

Tim's Top 5:
Ryan jumped the gun on this one, I'm pretty sure the Springsteen show I'm going to 7/27/08 will be #1 and I suspect the Pearl Jam show (and maybe, god willing, R.E.M.?) in June may crack the list, so I was holding off.

1) 4/00 - Guided by Voices with Sense Field at The Sokol Auditorium, Omaha, NE - I was probably the only person watching Sense Field, but they became one of my favorite bands after the concert -- and shortly after the concert had to abandon their hopes of ever releasing their album with Warner Bros. and it became the abortive effort that was released on Nettwerk and scored them 15 minutes of fame with "Save Yourself". Then GbV put together a greatest hits concert that captured the era of GbV at its finest -- this was right after Do The Collapse, so they didn't have the stuff from Isolation Drills, but it led them to get the best of the Fading Captain Series and favor stuff from Alien Lanes and Bee Thousand instead of the most recent album. The only drawback is one that would follow GbV for years, their steadfast avoidance of material from Mag Earwhig!, which was and still is, my favorite GbV album hands down.

2) 6/13/03 - Pearl Jam with Idlewild at the Mid-American Center, Council Bluffs, IA - Bu$hleaguer on the Riot Act album...boring. Bu$hleaguer live -- played in the heart of Republican country -- unparalleled in awesomeness. This is the concert that made me think Riot Act was one of Pearl Jam's greatest albums, even though only me and four other people own it. I don't think I'm wrong. They closed with Rockin' in the Free World, which is definitely the chosen song to end Pearl Jam shows, they covered The Police's Driven to Tears, The Clash's "Know Your Rights" (both have since become favorites of mine) and unfortunately Crazy Mary (a song which I have no affection for). It was really an amazing show, no Katowice, Poland, but amazing nonetheless.

3) 7/28/07 - The Old 97's with Ha Ha Tonka at The Chameleon Club, Lancaster, PA - I'd seen the Old 97's the night before on the Rockin' on the River cruise in New York but discovered they had a show far closer to me the next day. They ended up playing three encores -- one with Rhett by himself playing a couple of solo songs and a cover of the Pixies' "Wave of Mutilation", then the band returned to join him for a couple more Old 97's tracks. After half the club had left, they came out and played two more songs, both of which were unrecognizable at the time. The venue was astounding for a middling college town in the middle of Amish country, and the crowd really seemed to know their work much more than the NYC crowd. Ha Ha Tonka was an entertaining enough band, more on the side of country than alt-country, but they waited at the back of the show to watch, which is the true sign of an opening act that deserves some respect. I've meant to get their album for a long time now. I should really get around to it. There were still a couple of songs I'd have killed for them to play (seriously, "Nite Club" and "If My Heart Were a Car" warrant playing), but it was an exhaustingly amazing show. I drove the long trip home having absolutely no regrets about seeing them for a second time in two days.

4) 4/06 - Franz Ferdinand and Death Cab For Cutie at Barton Hall, Ithaca, NY - The venue was awful for acoustics, I had absolutely nothing to drink (thank you, Cornell University), but the two acts were amazing. Franz Ferdinand went through the vast majority of their material, but still managed to hold things back that I'd forgotten were awesome; Death Cab played a good sampling of their material, even though I was unfamiliar with 90% of it at that point. I owned Plans within the week and have since developed an appreciation for their work as a whole.

5) 7/07 - The Police with Fiction Plane and the Fratellis at Citizens Bank Park, Philadelphia, PA - Sure, it might as well have been pre-packaged, because The Police played only two sets during the entire reunion tour (Philadelphia warranted the long set at least), but they reminded me that there was a period before I was really sentient that Sting used to actually, you know, be kind of cool. And rock. They really put together a great show, the venue wasn't bad, and the beer flowed freely. Definitely one of the highlights of my employment thus far. You know, other than all the "law" stuff.

Honorable Mention: Ben Folds with The Divine Comedy at Seven Flags Event Center, Clive, IA - This was on the Ben Folds and a Piano tour after Rockin' the Suburbs, before he went off the musical deep end and became dead to me forever. The audience interaction seemed fresh (it wasn't, as you learned from the live album, it was all a scripted show with the same banter at every stop), and the music was awesome; Smashing Pumpkins with Fountains of Wayne at the Omaha Civic Auditorium, Omaha, NE - My first concert still warrants mention, although I knew so little of either of these bands' work when I went to the show that it really cut into the awesomenss; Snow Patrol with OK Go and Silversun Pickups at Tweeter Center, Camden, NJ - the headline act wasn't what I went to see, but they put together a good show, OK Go played most of their catalog and Silversun Pickups are as solid a second opening act as I could envision. Venue wasn't particularly good.

Top 5 Albums of 2007

We're going to jumpstart this thing...maybe we'll make it to weekly posts by the end of March or April.

Tim's Top 5:
2007 wasn't a bad year for music. It wasn't great, it brought disappointing albums from Kanye West, Jay-Z, an awful live album from Guided by Voices, and Fountains of Wayne, who managed to cash in on their fame by going into total hiding and not even getting their middling album promoted.

1) Eddie Vedder - Into The Wild -- Wow. There are a lot of bands that are such figureheads that their lead singer could branch off and create a great album on his own that's basically indistinguishable from the band's own work. Well, that's not what this album is. It's exceedingly brief, with a number of songs that are barely even long enough to be Robert Pollard-written, but it's mastery of the stripped-down musical ambience that a story like Into the Wild demands. I just can't envision how a story as magnificent as Into the Wild, merged with a soundtrack that's so perfect that even the book should be read to it, could be anything but the best film of 2007 (or, with little hyperbole, the best film in a decade), but that remains to be seen. "Hard Sun" is a great song, "Far Behind", "Society", "No Ceiling" and "Setting Forth" are all its peers or superiors. It took a second listen before I started to really enjoy it, it took me starting to read the book before I fell in love with it, but it's now an absolute essential to my playlist.

2) Bruce Springsteen - Magic -- I didn't notice that Radio Nowhere really did appear to be Springsteen channeling Eddie Vedder's voice until reading it in someone else's review, but it does seem true. The album as a whole is coherent, tight, and pretty even. It has definite highlights -- "Last to Die" and "Livin' in the Future" are among the best in recent years, but most of all it proved that The Rising was not a one-off, Springsteen's still more than capable of rocking out ("Radio Nowhere", "Last To Die"), but still has the ability to write evocative and emotional songs ("Terry's Song"). Perhaps most importantly, Clear Channel has refused to play anything from it, because it apparently commits the sacrilege of not giving George W. a big, sloppy kiss (though it's not necessary to treat it as a political album).

3) The Bravery - The Sun and the Moon -- Well, you can't write a band off just because their first album was disappointing. Granted, I only found out it was disappointing because I was so enamored with The Sun and the Moon that I bought the debut off ITunes a day later, but it is. The Sun and the Moon, on the other hand, has fed XM Radio two of the most pleasantly overplayed songs in Believe and Time Won't Let Me Go. The songs in between the two on the album fit in perfectly and capture the faux British sound that I clearly am totally susceptible to (let's be honest, Guided by Voices spawned it, Spoon is an obvious offspring of it, and The Bravery doesn't fall far from that tree, and neither do the Killers. Then about 75% of the other bands I like are British)

4) Bruce Springsteen - We Shall Overcome: The Seeger Sessions - American Land Edition -- I can't even begin to describe how much I thought the Seeger Sessions sounded like an awful idea. I wouldn't have ever listened to a single track from the album had I not landed tickets to see Springsteen at Giants Stadium in July. When I saw he was playing American Land to close out every show, I felt like I just about had to hear it and acquire it. That led to ITunes...which led to me buying the album. Now I can only say it's a shame that I'm ranking this behind Magic, because I think on so many levels this might be a better album, it's just not one you can just turn on and listen to in the same way. But what it surrenders in accessibility it makes up for in overwhelming greatness. This is one of those experiments that could have and probably should have gone horribly wrong. It didn't.

5) Arctic Monkeys - Favourite Worst Nightmare -- Fluorescent Adolescent is one of my songs of 2007, Brianstorm is the most annoying single Arctic Monkeys have put out, and it's still great, it's just a totally listenable album that I think matches or exceeds the promise of their first album, even if this one pretty much stayed under the radar in both the United States and the U.K. (comparatively, it was still a #1 album in the UK, but it sold considerably less). This is what cements Arctic Monkeys in the "must buy" list. Now I just need to get back to the UK to get Who The F*** Are Arctic Monkeys for the price it should sell for.

Honorable Mention: The Shins - Wincing the Night Away -- It took me way too long to really enjoy anything on the album, and so much is wrapped up in the fact that Phantom Limb is the catchiest song of 2007 that I can't really say I'm a fan of the album as a whole; Spoon - Ga Ga Ga Ga -- Initially a disappointment, but it's a great album and The Underdog is definitely a rival with Phantom Limb for the song I'm most likely to listen to eight times in a row; The Arcade Fire - Neon Bible -- This is penalized for me having only listened to it once thus far (I bought it on a whim with The Sun and The Moon three weeks ago), but I think it could join a serious conversation for #5; lastly, Jay-Z - American Gangster -- Yes, I described it as disappointing, but I'm starting to appreciate it, and it has a couple tracks for the canon. I just don't want to pull a Sam's Town and look back a year later in disbelief that I didn't consider it an elite album.

The only album I know of that I feel like I need to hear from 2007 that's not on this list is Interpol, which I just got from the library. For now, it warrants an asterisk.

Take it away, other people, knowing full well that the Top songs of 2007 (where I really make my love for poppy, commercial music obvious) looms in the immediate future.

Dan's Top 5:

1. The Good, The Bad & The Queen – The Good, The Bad & The Queen – When Damon Albarn (Blur, Gorillaz) does anything, odds are it's going to be good. Add to that Paul Simonon (The Clash), Simon Tong (The Verve) and Tony Allen (Africa 70), and you have the definition of a supergroup. Oh, and Dangermouse produced it, too. The thing is, most supergroups have traditionally put out crappy music. Or so I'd assume. I imagine everyone involved would be overplaying their parts and egos would be clashing. Not the case here. And hey, it's British and it sounds British. There's a definite London motif about the album, to the point where it makes me wonder if I'm missing out on what they're singing about.

2. Panda Bear – Person Pitch – If it's possible that one song can carry an album, it would be the opener to this little masterpiece, "Comfy in Nautica." It's one of the best and most addicting musical pieces I've heard, and apparently I'm not alone in thinking so. Rolling Stone called it the #74 best song of the year. If nothing else, it earns you points when you listen to it because no one is listening to it either. Unless they pay attention to Pitchfork, which called it the best album of the year. Then again, they take the art of being a pretentious music snob to another level.

3. Radiohead – In Rainbows – Alright, maybe I have rose-colored glasses on when it comes to Radiohead, but I'd argue against that. To this day, I still don't like Pablo Honey, Kid A or Amnesiac. The rest of their discography, however, is fucking brilliant. That being said, I'd say that this album isn't as good as Hail to the Thief was. It's very chill, and with the exception of "Bodysnatchers," it stays that way the whole way through and offers not much else to listen to. It could have been better, but it's still amazing.

4. Gogol Bordello – Super Taranta! – Gypsy Punk Music. That's a pretty accurate description. And if that's not enough to get you interested in listening to this album, I don't know if the rest of the words that follow will do much else. I had the privilege of seeing the band live, and it's something else entirely. If you like taking into account a band's originally, then this band is one of the most original you could ask for. What is helpful is that I believe any thirty-second clip of the tracks from this album will give you a pretty accurate indication of what they sound like. So check it out.

5. Duran Duran – Red Carpet Massacre – This last spot was tough, but I have to go with my old favorite. I had already heard that Justin Timberlake and Timbaland had done a good job making pop music. They both collaborated with the Fab Five on "Falling Down," resulting in one of the best songs I've ever heard. That song and the rest of the album prove that Duran Duran can still sound fresh and original, and they haven't done that since The Wedding Album.

Honorable Mentions: Porcupine Tree – Fear of a Blank Planet, The Bravery – The Sun and the Moon (didn't make the top 5 since Tim already mentioned it.), The Go! Team – Proof of Youth

Ryan's Top Five

I will attempt to make a credible list despite my lack of albums from last year. That said, the only stuff I've heard has to be the best, right? Right?

1. Various Artists - "The Darjeeling Limited" Soundtrack - OK, I am cheating here but still, this was the best album I bought last year. Awesome songs from The Kinks, et. al.

2. Kanye West - "Graduation" - Not nearly as good as College Dropout, but miles better than Late Registration. I love "Good Life" and "Flashing Lights."

3. Various Artists - "Hot Fuzz" Soundtrack - Cheating again. "The Village Green Preservation Society" is one of my all-time favorites.

4. The Editors - "An End Has A Start" - OK, this is probably better than #4 on this list, but I haven't listened to it enough to slot it any higher.

5. Talib Kweli - "Eardrum" - Talib Kweli is like a poet who raps--literally, he references Shakespeare, Langston Hughes, and others in songs from this album.

Top 5 "Essential Album Artists"

Aha! Not so fast people...it's in quotes, therefore it's a defined term. Here's the definition:
Essential Album Artist -- You have to have every album. Period. There's something on every one of them that's worth owning, and not just easily replicated by buying a greatest hits comp and going to the concerts and singing along with 1/3 of the songs and being pissed they didn't play every hit. They have to have pushed out four albums -- not counting compilations -- and they have to do it with a band with the same name, you can't just declare Ben Folds a winner by counting his three actual albums with the eponymous Five and his two solo albums. Not that you would anyway. This list gives severe glory to those who lived fast. The Sex Pistols didn't last long enough, Bob Dylan lasted far far too long.

Tim's Top 5:
1) The Beatles - This is too easy. Every one of the thirteen albums is essential because they're all good, even if Please Please Me is too teeny-bop and The White Album is too admired by everyone. Best album: Abbey Road; Worst album: probably With The Beatles, but it still has absolute masterpiece songs on it, it's just also got Please Mr. Postman, which makes me weep inside.

2) Elliott Smith - Elliott Smith has a couple of careers, spending his early days with Kill Rock Stars recording quiet and rough albums, but eventually reaching the sprawling orchestral production of Figure 8. Not only are each of Elliott's albums essential, but he also made Good Will Hunting's soundtrack essential just by including an altered version of Between the Bars and Miss Misery. And, just for good measure, his album with Heatmiser -- Mic City Sons -- is even more essential than all the others, even though it doesn't count to the overall album total. Best album: Either/Or, though I love Figure 8; Worst Album: probably Elliott Smith, but it's still a great album.

3) Pearl Jam - If you like Pearl Jam, you understand that every album, every track becomes essential, because even if the album version of Bu$hleaguer sucks, you'll hear it on an official bootleg and realize it's the greatest song you've ever heard. They can release countless compilations, concert albums, and every time one hits my radar, I still consider buying it. I own them all and although I don't listen to them as much as I should, they're all essential. Best album: Yield; Worst album: Binaural was going to get my vote, then I remembered that they recorded Ten. Ten is the winner. It may have performed a great civic duty by bringing Pearl Jam to my 13-year old consciousness, but radio play has ruined its hope of being a respectable album.

4) The Clash - Sandinista! is a mess, but it's a mess that's still got a lot of value, it's just thinly sown among the 36 tracks, and it's being compared to two of the best albums anyone ever recorded. The Clash and London Calling should both be in the top 50 albums of all time, Best album: I'll say London Calling, because I know I'm supposed to, but I really think that The Clash might be the superior album in my own mind. And Give 'Em Enough Rope blows my mind too. Worst album: definitely Sandinista!, but it's well worth it for being the one person you know who owns the album and has actually listened to it.

5) The Old 97's - Helped in no small part by the small number of albums, each one has value. They run a number of genres in the time span, with the first two being definitely more dependent on country influences with the rock sounding more like Buddy Holly than the Beatleish pop influence that overruns Satellite Rides. In between, Wreck Your Life, Too Far to Care, and Fight Songs run the gamut, but each one has at least a half dozen commendable tracks. Worst album: I'm not enamored with Hitchhike to Rhome, which is too lo-fi country for me, but I think Drag It Up is their weakest effort, because it was an all too conscious effort to return to Hitchhike without the sense of youthful reckless innocence that made an innocuous debut acceptable.

Honorable Mention: Oasis - I don't own Standing on The Shoulder of Giants or What's The Story, but I could easily buy both; Bruce Springsteen - warrants serious mention just because he came surprisingly close for someone with a 35 year career, but Devils & Dust is just not a good album (Magic is, however), and I've never felt a need to own Human Touch or Lucky Town. R.E.M. - god, Reveal is awful. Shame on you, Michael Stipe.

Dan's Top 5:
1. Jimi Hendrix - You could argue that he released three albums as the Jimi Hendrix Experience and one with the Band of Gypsys, but really, all that truly changed was the bass player. There's no question where all the talent was. You shouldn't just buy Jimi's albums, you should have every song memorized. Any sort of "greatest hits" collection does not do the man justice, and "Band of Gypsys" is just as good as anything he did with the Experience. Four albums, no dead weight - the epitome of what this list should be.

2. Peter Gabriel - It's interesting to see how Peter's music has evolved from when he started as a solo artist to now. It's vastly different, but there was never any loss of quality. There really aren't any weak albums, unless you count his soundtracks. Assuming not, his second album was only a modest effort, but I'll forgive that since Peter Gabriel III was one of the best (and most underrated) albums ever.

3. The Beatles - I was going to try to come up with a different fifth artist, but I realized that (a) I couldn't think of anyone, and (b) the Beatles were good enough to be repeated in this list. I probably wholeheartedly agree with Tim here, and I'd like to add that it's because of the Fab Four that we have the standard of a band writing its own songs and consisting mainly of guitar, bass, and drums.

4. Radiohead - Not only do I have all albums, but I have all the B-sides as well. Weak albums include Pablo Honey, Kid A, and Amnesiac. Awesome albums include OK Computer, The Bends, and Hail to the Thief. I credit them with having re-established the album as a valid work of art. Now if only more than a handful of artists would put more effort into making complete albums.

5. The Police - Each one of the five studio albums they made has two big hits on it, as well as a handful of other good songs. Apart from Synchronicity, no album is phenomenal, but if you're going to listen to the Police, it's not that hard to just get all the albums.

Honorable Mention - Smashing Pumpkins, Blur. They would have made it were it not for one single album (Zeitgeist, Think Tank) in their catalogue. So much for last hurrahs. (Yes, I do know Blur are back together and recording a new album.) Also, Muse. Their first album - Showbiz - was decent, but not a must-have like their other three.

Ryan's Top Five

1. The Beatles - Best: Sgt. Pepper or Abbey Road. Worst: meh, why try.

2. Badly Drawn Boy - Man, I love Badly Drawn Boy. Best: One Plus One Is One. Worst: probably Born In The UK, though it's still good.

3. The Decemberists - Four studio albums, all excellent. Best: The Crane Wife (is one of the best albums of this decade).

4. John Lennon solo - Wings had a lot of crap. John Lennon did not. Best: Imagine or Plastic Ono Band, but I actually really like Double Fantasy, nuts to everyone else.

5. Harry Nilsson - All right, I don't own all of them, as some are difficult to locate. That said, I've heard tracks from all of them. Did I mention I love Harry Nilsson? Best: The Point!

Top 5 Current Favorite Bands/Artists

Defined however you like, but within reason...though The Rolling Stones may technically tour again, for example, I wouldn't rate them here. (Not only for that reason, but you get the idea.) Ditto Paul McCartney. I guess what I'm trying to say is, no old folk. Ben Folds would probably be the oldest on my list.

P.S., Stole this idea from Tory, who had it a while back.

1. Badly Drawn Boy - It's actually kind of difficult for me to explain my love affair with Badly Drawn Boy. More than any other artist, he makes albums before songs. I listened to One Plus One Is One a few times and couldn't find many memorable singles, but upon repeated listens, I began to love every individual track for its contribution to the whole. My favorite songs: "Four Leaf Clover," "The Shining," "Minor Incident," "Something to Talk About," "Born in the UK," "Silent Sigh," "Fewer Words," et. al.

2. Muse - Feels wrong ranking them this low because they kick so much ass. I guess, if they follow Black Holes up with something close to as awesome, they might be my favorite band of all-time.

3. Ben Folds - In the long run I like Ben Folds more than almost everyone else, of course, but if I'm being truthful to the "current" point, I have to put him third.

4. The Decemberists - OK, now I feel comfortable ranking them, after legally (in an illegal sort of way) getting their albums online. I've listened to The Crane Wife in one of those patented ryan-obsessive sort of Musey, Badly Drawny Boyey-type ways lately. Everyone had successfully convinced me that they were lyrically talented, but what's taken me by surprise is their musicality. These songs rock--try listening to "The Perfect Crime 2" without jamming.

5. Sufjan Stevens - Narrowly defeats The Flaming Lips, probably because At War With The Mystics wasn't as good as Yoshimi (a really tall order). I'm in love with Illinoise. I've never thought of seriously using this adjective, but his lyrics really are "haunting." It takes some talent to pull off a mournful song about John Wayne Gacy and make it personally relevant ("And in my best behavior, I am really just like him / Look beneath the floorboards for the secrets I have hid").

Honorables: The Flaming Lips, Gnarls Barkley (like Muse, a good follow-up would affect their rank), Coldplay ("You know why you're gay? Because you like Coldplay."), Fiona Apple

Dan's Top 5:

I'm going to interpret this as both "bands that are active" as well as "bands that I've been listening to within the last month or so." That's the only way I'm going to be able to narrow it down to 5.

1. Muse - Dan's Musefest 2007 is about out of gas, as I've been listening to Muse for quite some time. However, with GH III coming out and featuring Knights of Cydonia, I will most likely again take up listening to them nonstop, while being quick to point out that "I was into them before GH III came out."

2. The Decemberists - Probably the band for which I have to do the most listening work, but I'm really looking forward to it. I only "know" about a handful of songs, but I've never heard one that I dislike.

3. Damon Albarn's Latest Project - I figure this includes Blur (recently reunited), Gorillaz, and The Good The Bad & The Queen. I've listened to every "artist," and they're all good. I'm looking forward to whatever he releases next, and I'm almost guaranteed to buy it without listening to it first (which is what I did for TGTB&TQ).

4. Belle & Sebastian - This is only based off one album, but it was good enough for me to probably get their next one, whenever it's released.

5. Starsailor - I have two albums, but in all honesty have only listened to three songs. Again, they're a band I like, but I just need ot work on getting to know them.

Honorable Mentions: Radiohead (only unranked because they've had no new album in a while), The Go! Team, Doves, Gnarls Barkley

Tim's Top 5:
Having now taken a solid nine months to respond to this, I have a little more hindsight to celebrate, but oh well. That said, I don't think my list will have changed. Since my initial list all involved bands who had put out fewer than three albums except The Old 97's, I've just decided to set that limit.

1. Franz Ferdinand - They may never release a third album, but I'm so enamored with the first two that they still make the top 5. They're British, they're good with writing lyrics and making references to things that make me feel British (ah, Terry Wogen, how you make me feel British)

2. OK Go - I love these guys. I don't care about the videos that got everyone into the band, it took me forever to appreciate them on any level, but now that I do, I'm hooked. Oh No is one of my favorite albums of the last decade, and their debut has a few songs that I consider indispensable. Throw in the connection to NPR and attempting to dethrone Bush...and I can't believe I'm putting them at 3.

3. Arctic Monkeys - Both their debut album and the follow up are dynamite albums and they've already mastered the art of the non-album single with "Leave Before the Lights Come On". They're not strictly a singles band, which makes them absolutely essential to this list.

4. The Killers - All right, I gave up on Sam's Town, only to come around and find it to be a masterpiece, even if it's not Hot Fuss. Sawdust was underwhelming, but they're a young band to be putting out a B-sides disc, and it still has some very solid material. Hot Fuss is one of the most consistently great albums of the decade and Sam's Town has some indispensable tracks, including the title track and Bones.

5. Nine Black Alps - Their first album is a masterpiece, one of the best things Rob Schnapf has ever done, and he's one of the greatest producers of all time (see earlier list). The second album is less wonderful, but still quite good.

Honorable mention: The Decemberists have put out more than three, hence they don't get #5, but they still should count. Kanye West, though he loses me more with each album. The Bravery's last album would get mention, but I didn't think much of their debut. Interpol interests me. The bands I would have put in here don't seem "current" enough -- The Old 97's are almost as old as Pearl Jam, Jay-Z is old, Muse isn't that old, but they've put out five albums, Death Cab is pretty vintage, even if I didn't get into them until Plans.

Top 5 Most Overrated Bands

Everyone knows that there are bands out there that are good, but that quite a few people put far too much stock into them. This is what this list is all about, those bands that we know don't deserve the praise they get. You can take it as you like, but this list is different than one such as worst bands. That is why you won't see someone like Britney Spears in here; while she is overrated, she has no musical ability to speak of so it is a travesty that she is even rated.

Tory's Top 5:

1. Nirvana - As I said, these bands are good. But come on, is Nirvana really that good. Yes, they inspired or pioneered the grunge genre, but just because they were the first doesn't mean that they are the greatest. See some lyrics such as Polly and Lake of Fire to see what I am talking about. I feel that their popularity was helped by the apparent suicide of Cobain, but alas, so was the musical community as the true musician (Grohl) was able to come about and form Foo Fighters, a far superior band.

2. Aerosmith - Joe Perry is an excellent guitarist. Steven Tyler is not an equally good singer. There are songs that I think really thrive, but then there are songs when Tyler does his rap-rock type singing that make me want to vomit ie Sweet Emotion.

3. U2 - I do not like this band that is on my list. They are trite. The Joshua Tree was not an epiphany in history of music. Plus their recent music has been some of the best

4. Green Day - Since Dookie, and really up til Dookie, they offered nothing close to the praise they earn. I suppose Insomniac had a decent playlist, and Nimrod had one good song, but with the recent pointless release of American Idiot, some of the worst political satire or commentary or whatever it is supposed to be, they have shown that the days in which they were a relatively accessible band are gone.

5. RHCP - Probably the best band that is on this list. I understand the majority of people liking them, but there are those that seem to equate this band to a modern day Zeppelin (perhaps not that high of quality, but within a nearby echelon at least.) Their music has seemed to get incredibly boring and repetitive; they did have their days though with Blood Sugar Sex Magic and One Hot Minute.

Dan's (Altered) Top 5:

1. Metallica - Pretty much nothing by this band is good. And they have the audacity to call themselves "metal?" I'm not as much of a metal fan as some friends of mine, but I do know that Metallica sucks when compared to some of the bands I've heard them play on their car stereos.

2. The Grateful Dead - I really haven't heard anything I like from them, and I have a predisposition to not liking "jam" bands (Dispatch excluded). How they got one of the biggest followings ever is beyond me. In essence, I guess they're not bad, but they're also not as spectacular as countless bumper stickers lead me to believe.

3. Red Hot Chili Peppers - Everything since Blood Sugar Sex Magik has been bland and mediocre at best. Their career is the ultimate fade-away, going from songs like "Catholic School Girls Rule" and "Stone Cold Bush" to a rip-off of Tom Petty in the form of "Dani California." Interestingly enough, as the uniqueness of the music decreases, the popularity grows.

4. Pearl Jam - I haven't really heard anything by this band that I really like, and they're being equated with Nirvana? Vedder's voice is too caustic, and the music itself seems fairly bland and uninspiring. Speaking of Nirvana, though...

5. Nirvana - I do like a few of their songs, and Nevermind was damn good. But many people call them the best band of the 90's, which is simply wrong. Bonus artistic merit points for a suicide ending, but you lose points tenfold for the fact that Courtney Love is still around.

Honorable mentions: Bob Dylan (not a band - the only reason he didn't make the list), Aerosmith, Nickelback, My Chemical Romance, Panic! At The Disco, Fall Out Boy (these last four are all overrated, but unfortunately they all suck too much for inclusion.)

Ryan's Top Five

This will be a quick one for me because I'm tired--of course, though, bad bands inspire me.

1. Metallica - They've had a few good songs. Get over it. Does anyone else have trouble meeting a Metallica fan who doesn't think they're not better than The Beatles, The Rolling Stones, and The Who combined? Also, Lars Ulrich is one of the biggest douches in the music industry.

2. The Doors/Jim Morrison - I like some their singles all right, has anyone else heard anything mindblowing? "When You're Strange" is a forgettable "classic." I once saw a poster that had Jim Morrison next to Hendrix and Lennon, billed as the "gods of rock." Give me a break.

3. Green Day - I agree with everything Tory said. I hated American Idiot, and their album before that was wretched.

4. Aerosmith - Am I the only person (I might actually be, I'm not sure) who hates the "Walk This Way" hip-hop crossover? I'd much rather hear just hip-hop, or a better rock band. Anyway, they're an all right band, I just think they're a good deal overhyped.

5. Kiss - Here's a band that is kind of all right (I guess) to begin with, but when you're fronted by Gene "I created Kiss and therefore am a musical god" Simmons, you make me want to hate you. Sorry Kiss. But thank you for bumping No Doubt from the list, as I knew at heart they violated Tory's rule of bands that are just plain bad.

Tim's Top 5:
I think Metallica has been given enough credit, as has Aerosmith, although "I Don't Wanna Miss a Thing" is really worthy of an entry all its own -- if you consider yourself a rock band, you don't play Diane Warren songs. PERIOD.

1) Dave Matthews Band - This is difficult for me, because I don't really know if anyone considers them good anymore, so they might just fall into the category of bands that are just awful...but every white college-aged male who enjoys recreational drug use (i.e. every white college-aged male who besides me, back in those days) thinks going to a Dave Matthews Band concert is their idea of frat boy paradise. No thanks. They haven't recorded anything but pablum since their first album, which is itself not good, so far as I can tell, but not the most contemptible thing of my lifetime. And everyone seems to at least sort of like them. Screw that. I hate Dave Matthews Band and all its works.

2) Radiohead - Radiohead inspires hatred in me unmatched by any other band. It's not because they're bad, but it's because they are so universally admired by critics for putting together tracks with incomprehensible lyrics and shit like "big fish eat the little ones". Thom Yorke has a great voice, their music was interesting on OK Computer, but the gooey mess on rock critics' face after Kid A and Amnesiac is inexcusable. Their willingness to be so utterly un-pop reminds me just why pop music has value...because at least it's honest.

3) The Doors - Again, like Radiohead, they're not a bad band. I own their greatest hits album, having bought it when I was 15. Other albums I bought when I was 15? Lord knows, but they have to be better than this. People who listened to FM radio in the 1980s and 1990s delightfully forgot that The Doors had songs with three minute keyboard solos for no apparent reason. Every once in a while I will voluntarily not skip by The Doors on the radio...but that's not to say they deserve the acclaim they've given themselves.

4) Led Zeppelin - I really just don't get it. And I will be honest, I don't get it so much that unlike Pink Floyd (who I could have put here, concededly), I've never tried to force myself to listen to Led Zeppelin. I'm not a heavy metal guy and I guess Led Zeppelin leaned in that direction, but I just don't find their music interesting. And people who listen to it I find even less interesting...because they're like self-parodies. Having watched half a season of Freaks and Geeks, it reminded me of why Led Zeppelin is still so revered -- because the people who really love Zeppelin are also the people that didn't ever get jobs, and therefore have more time to tell people about Plant & Page. I think the value of each individual in Led Zeppelin would add up to something around 500% of the value of Led Zeppelin to me. I like Fool in the Rain, but I think by liking Fool in the Rain, I really only underscore just how much I dislike Led Zeppelin. Whole Lotta Love, Stairway to Heaven...these are songs that I shan't miss.

5) ZZ Top - It's hard to not just list "The 1970s" in this list...Journey, Boston, Emerson Lake and Palmer, Yes, Rush...they could all go here. But in trying to distill a list of pure overrated via the Rock 'n' Roll Hall of Fame, I don't think it gets any more obvious to me than this one. ZZ Top is in the rock 'n' roll hall of fame. My only question is..."Lord almighty, how?" I know they've been around a long time, but this isn't the baseball hall of fame, I thought that you had to actually have more than two tracks people knew and at least one that people liked. They're not really trendsetters either, but here you have it. I'm not sure what world puts ZZ Top in the Rock 'n' Roll of Fame while excluding ... well, anyone.

Also of note: Rod Stewart warrants mention for having never done anything of significance by himself yet still attaining substantial fame/acclaim.