Tim's Top 5:
Let's be honest, a closer is only as good as his entrance music. Actually, Brad Lidge was about 45-for-45 in saves last year...and he came in to Drowning Pool. So, in fact, a closer is considerably better than his entrance music. Unless that closer would be me.
Everything I've read claims that the movie Major League is really responsible for the association of a single song with a closer...but I don't buy it, because at least at minor league ballparks, they did it before that movie came out. I remember Greg Everson coming out before Luis Encarnacion in Omaha to "Thank God I'm A Country Boy" (which is fine for a middle reliever, obviously not really a closer song).
This was a tough list, because there are songs that work until you actually listen to the substance of the lyrics (like, say, Muse's "Time Is Running Out") Oh, and I don't listen to heavy metal, which means that ... yeah, I had to be creative.
1. Pearl Jam - Save You -- Why? Well, I mean, come on, it's a little perfect. It has a great crunching guitar intro, the first guitar comes in, a second, then the drums hit before the vocals come in. And the first few lines are flawless. "I'm gonna save you, fucker (it'd be fine, you can't tell that's what he's saying)/ I'm not gonna lose you / I'm feeling cocky and strong, can't let you go / Too important to me, too important to us, we'd be lost with you")
It does have one lyrical minus -- "Why are you hitting yourself? Come on, hit me instead." This would not exactly inspire the fans' confidence...but perhaps I'm a pitch-to-contact closer along the lines of Bob Wickman and Brandon Lyon, so the fans already hate me regardless of my theme music.
It starts a little too hard, I like the escalation of #5 (and also Enter Sandman, which I think is otherwise not a good song for this purpose), but it's already taken.
2. Alice Cooper – School’s Out – This might be the perfect timing, because there’s a point at 1:14 (right before the high-pitched middle eight) where the song should be cut off by the public address announcer to announce “Your attention please…now pitching …” – if they can draw it out to 1:29, it has a hard bounceback. It’s a profoundly recognizable song, it’s just annoying enough to actually be used as a closer’s anthem.
The lyrics work, I think. Listen, you’ve had your chance to learn how to hit with the shitty pitchers in innings 1-8…school’s out, time to step up.
3. Stevie Wonder – You Haven’t Done Nothin’” – Again, the timing on this song is good here. At 1:03, plenty of opportunity for the announcer to cut in to announce the closer’s arrival. I like the funky, taunting beat and I think you just strut in from the bullpen for this one. It was meant to scorn Richard Nixon, but I think it’d work just as well on Trot Nixon. The entire thing just has a very taunting feel to it that is kind of missing with the blaring heavy metal surplusage that has led two different Drowning Pool songs to be used as closer entrance themes.
4. R.E.M. – "Circus Envy" – I love this song. The growling beginning and heavy drum and crackling distortion pedal at the beginning really cement it, the opening lyrics are pretty taunting “Here comes that awful feeling again” (though after a few blown saves…we’ll see who’s having the awful feeling). It lightens a little too much about 45 seconds into the song, but the repeating intro loop is really the key.
At 2:29, the lyrics hit their peak “If I were you, I’d really run from me”. True enough, R.E.M.
5. AC/DC - "Hell's Bells" - Trevor Hoffman already has that one, as you can see from this video ...and for a good damn reason. "Thunderstruck" is also a pretty good entrance song, so I think we've identified what AC/DC is good for -- closer songs and songs you know someone would request at a strip club ("You Shook Me All Night Long")
It’s really a shame that Trevor Hoffman never pitched for the Phillies, because if they got the Liberty Bell in center field to “ring” right as he hit the warning track for the first bell…it’d be amazing.
Honorable mention: Wagner - March of the Valkyries - Listen. It is not my fault that Wagner was anti-Semitic. This is the heavy metal equivalent of classical music, and it sounds pretty damn sinister; The Arcade Fire – Keep the Car Running - Again, I thought of this for primarily lyrical reasons, because it seems to me to be the equivalent of “trust me, we won’t be here long”; Muse – Hysteria – start the song 10 seconds in. That’s it.; Jay-Z "Encore" - the reference to Brooklyn keeps it out of the top 5 for me, otherwise I think it’s pretty spot on; Oasis - “Hello” - Start at 12 seconds. I’m not sure why I like it for this – I think it’s the “it’s good to be back” refrain that seems so apropos for a regularly-injured underdog pitcher who survives on sheer guile. You know, the one I’d be destined to be if I hadn’t sucked too much for the injuries to matter; Presidents of the United States of America – “Cleveland Rocks” – if I played for the Indians, you’d damn well better believe I’d be a lousy enough closer to pander to the home fans (all of whom are white and therefore none of them actually live in Cleveland, but they’d still pretend).
Dan's Top 5:
I have included Youtube links indicating when, precisely, I want the music to kick in.
1. Iron Maiden - Run To The Hills - A song about rampaging, murderous war by the white man against the Native Americans. Comes in especially handy when our team plays against the Cleveland Indians or the Atlanta Braves. Or the Washington Redskins, if they decide to quit football and try baseball instead.
2. Peter Gabriel - The Tower That Ate People - One of the most kickass songs that Gabriel's done, and I think it would have the added bonus of frightening little children. Downside - not very effective if you're not dressed in all black or at least wearing black sunglasses.
3. Metallica - Enter Sandman - A nod to my Virginia Tech days, when you could play Enter Sandman (our stadium entrance song) and immediately get everyone in audible range to jump up and down and go absolutely berserk. It didn't even have to be football season.
4. Meat Loaf - Bat Out Of Hell - I will refuse to throw a pitch until the song is finished. I may promptly be demoted to the franchise's AAA team, but a man needs his Meat Loaf.
5. Rage Against The Machine - Bulls On Parade - Still my favorite Rage song after all these years. I could have gone for something a little more obscure to close out this list, but I think that fans will appreciate my taste in music. It sure will make up for the fact that I am a shitty closer and will cost our team the win.
Ryan's Top 5:
I went solely with kickass music, though part of me does want to enter to "Why Can't We Be Friends?" a la Homer's boxing intro.
1. Iron Maiden - The Number of the Beast - Time-wise, this song is perfect. Start it at the normal time, then dim the stadium lights as I enter jogging; at about 56 seconds, right when I throw my first warmup pitch, Bruce Dickinson screams and the crowd goes wild. I would definitely make a point of timing this perfectly. Bonus points in that the tone of the song would ideally terrify the Bible-thumping Mike Sweeneys of the world; regrettably, it would be no deterrent to the Satan-worshiping AJ Pierzynskis of the world (though his ability to hit is a solid deterrent to begin with).
2. Sergei Prokofiev - Dance of the Knights - Probably a bit high for a classical song, but I've had this in my head all day long and have been convinced of its ass-kickery since Muse opened HAARP with it. (Youtube took down the clip, unfortunately.) Ultimately, this song beats other classical contenders ("Mars, Bringer of War," and "The Imperial March" from Star Wars).
3. Morning Glory - Oasis - As far as I can tell, you cannot go wrong with a helicopter sound effect introducing a song. (See: "The Happiest Days of our Lives," Pink Floyd.) (This is where someone cites the Kid Rock/Sheryl Crow song I'm forgetting that features a helicopter.) Lyrically, this song is sufficiently vague enough, as well: "All your dreams are made..." "Today's the day that all the world will see..."
4. Black Sabbath - Iron Man - As cliche as this song is (it's almost certainly used by some closer somewhere), it's too good for me to pass up. This song is rare in that my favorite part is about ten seconds in, when the robot voice says I AM IRON MAN. But oh well.
5. Kool and the Gang - Jungle Boogie - I have been in love with this song since Pulp Fiction. Play this, I'll throw a 1-2-3 ninth, then we cap it off with "Celebration" by the same band, bam! I rule!
Honorables: "Hell's Bells" was really written to be a sports intro theme.
Showing posts with label jay-z. Show all posts
Showing posts with label jay-z. Show all posts
Thursday, January 8, 2009
Tuesday, June 17, 2008
Top 5 Best Songs on the Album
This concept is pretty simple - while it's not necessary that the rest of the album on which these songs appear are bad, the songs listed here stand head and shoulders above the rest, and very well may be the only reason you own the album (if you do). So while a song like "A Day in the Life" is amazing, you wouldn't list it here because it was on Sgt. Pepper, and that whole album was amazing. Personally, I'm not counting obvious one-hit wonders, as that is too cheap - it has to be an established artist, and a decent album in general. So with that introduction taken care of...
Dan's Top 5:
1. "Solsbury Hill" from Peter Gabriel by Peter Gabriel - I've repeatedly stated that this song is my favorite song ever. If you could combine sex, drugs, and Twinkies into a single consumable substance, the result would not make me feel as good as this song does. The preceding track, "Moribund the Burgermeister," is another favorite of mine, but a small part of its magic is derived from the fact that you know the next song is "Solsbury Hill." Unless your music player is on shuffle. Probably the key to its brilliance was that Gabriel wrote it as an explanation of why he left Genesis to pursue a solo career. Fortunately, he had enough momentum from this song to carry him through not one but two poor albums - and boy, was Peter Gabriel II bad - before finally releasing Peter Gabriel III, my favorite of his catalog and the record that started bringing him some commercial success with the single "Games Without Frontiers."
2. "Under the Bridge" from Blood Sugar Sex Magik by The Red Hot Chili Peppers - Some may wish to crucify me with extra-blunt nails for this. But to me, there is everything else on the album, which is collectively a pretty good study of modern funk and definitely RHCP's best album, and then there's this song, which is one of the greatest 90's alternative songs period. It was a time when RHCP decided to stop being so much of a joke band, but before they became a joke again for trying so often to reproduce the mellow, pop-oriented sounds of "Under the Bridge."
3. "I Might Be Wrong" from Amnesiac by Radiohead - In this case, the rest of the album is pretty bad. "Knives Out" is a pretty good song, and the rest are somewhat listenable at best. This particular song, however, really rocks. It features a main riff in drop-D tuning, and now that I mention it, an actual guitar track, which was such a rarity for this album. In my opinion (but not the opinion of very many others who would self-apply the label of "Radiohead fan") this was Radiohead at their lowest point. In my quest to eventually find all the Radiohead albums on vinyl, I'd happily skip Amnesiac were it not for this awesome little tune.
4. "Regret" from Republic by New Order - Man, I can't believe I missed this one originally. New Order is a great band (though I don't know if anyone else on the Top 5 committee is going to agree with me). There are a ton of great tracks in their catalogue (just pick up their "Singles" two-disc set and you'll see what I mean), but this song is by far my personal favorite, and it's the band's highest-charting single in the US. The rest of the album contains a handful of good songs, such as "World" and "Spooky," but "Regret" is one of those songs that might get you listening to New Order in the first place. I dare say it would be worth it to see New Order live if they just played this and "Ceremony."
5. "Every Breath You Take" from Synchronicity by the Police - There are a number of really good songs on the album, such as "King of Pain" and "Synchronicity II." But this song is a behemoth, destroying skyscrapers in Tokyo and sending schoolchildren fleeing in terror. It was one of the songs that dominated the 80's, despite the fact that is was a song about stalking someone and written with a dusty old chord progression straight from Motown (G, Em, C, D). Despite it being overplayed as all hell, it's still a really good song, and stands in a class of its own above even the rest of the Police's best album. Of course, those other songs I mentioned are damn good, so this has to drop down to #5 on my list.
Honorable mention: "True" from True by Spandau Ballet, "Notorious" from Notorious by Duran Duran, "Just Like Honey" from Psychocandy by The Jesus and Mary Chain.
Ryan's Top 5:
This was harder than anticipated. I've stretched the logic a bit. Hi, I'm Ryan.
1. "Hotel California" from The Very Best Of The Eagles by The Eagles - I'm sorry, but The Eagles suck. I remember hearing David Spade talk about how he went to an Eagles concert and they had the balls to open up with "Hotel California." It'd be pretty convenient, I suppose, if this happened. Beat the traffic!
2. "Free Bird" from Pronounced by Lynyrd Skynyrd - I apologize to any Skynyrd fans out there. Wait, no I don't. Anyway, I've never been a fan of most of their non-Free-Bird stuff. (I call it Hotel-California-Syndrome.)
3. "American Pie" from American Pie by Don McLean - OK, hotshot, you try listening to any of the other songs on the album without falling asleep. I'll wake you up when you're ready to admit defeat.
4. "Carry On My Wayward Son" from Leftoverture by Kansas - Well, I assume. I'll admit that I haven't made it through the entire album. Prove me wrong, closet Kansas fans, prove me wrong!
5. "Dream On" from Aerosmith by Aerosmith - Aerosmith does not have another song equal to this one. I already used the Best Of trick with The Eagles, though, and I don't feel comfortable doing it with Aerosmith ("Walk This Way" et. al. are pretty good...Aerosmith circa 1980-present just plain sucks, though. Do not tell me that the Walk This Way/Run DMC remix is good. No. No. No. No.)
Tim's Top 5:
I won't include compilations, greatest hits albums, or albums I don't own.
1. "Let's Get It On" from Let's Get It On by Marvin Gaye - I own the remastered version of Let's Get It On that has bonus tracks on it. Thus, this has to top the list, because the two best songs on the album are "Let's Get It On". Sure, there's other songs on the album that are okay, "Distant Lover" would become a classic, but this song is so timelessly carnal and represents one of Marvin Gaye's best vocal performances ever. I don't know what percentage of children conceived in 1973 were conceived while this song was playing or were conceived as a direct result of this song, but I'd have to venture that it's probably greater than 1%.
2. "Roc Boys (and the winner is...)" from American Gangster by Jay-Z - The album is good, eventually, though it took its time to grow on me. But nothing else on the album has one shred of energy compared to this horn-laden endorphin dump that is really Jay-Z giving in to Kanye's pop sensibility in its entirety.
3. "Dry the Rain" from The Three E.P.'s by The Beta Band - Rob was right to play "Dry the Rain" in order to sell his copies of The Three E.P.s, because the other tracks on them...are uniformly not very impressive. "Needles In My Eyes" is my second favorite song on the album, apparently, and I've listened to it once.
4. "Common People" from Has Been by William Shatner - The Pulp song may be the best on its album, but it makes this otherwise largely-forgettable pastiche of odd songs and spoken word from William Shatner. There's something frightfully wonderful about him saying "chip stain grease" like it's something quaintly American.
5. "Spitting Games" from Final Straw by Snow Patrol - This song is so unlike most of what Snow Patrol has recorded, I don't know what exactly the music in the intro is composed of, but I wholeheartedly support it. I got hooked on this song when it was on MVP Baseball in some year, but I'd forgotten its existence until shortly after "Chasing Cars" began getting way too much airplay. It sounds heavily-produced like the first album from The Bravery (also guilty of appearing in MVP Baseball), but actually executed in a proper fashion. When they opened their concert in Camden with Spitting Games last year, I honestly felt like I was ready to go, it was going to be their high point, and I'd already seen OK Go. While I like the remainder of their work, it's just not on the same level.
Honroable mention: "Jeepster" from Electric Warrior by T. Rex - Electric Warrior is supposed to be the paragon of glam rock along with Ziggy Stardust. There's only one problem. The album's not very good. I had originally slotted it at #3 in my list before I realized that although I used to have the album during Cornell's free napster period, I don't have it now. So it warrants mention; "Nothin' Better To Do" from Boo-Tay by Bare Jr.; "No Name #1" from Roman Candle by Elliott Smith; "My Eyes" from The Boy With No Name by Travis
Dan's Top 5:
1. "Solsbury Hill" from Peter Gabriel by Peter Gabriel - I've repeatedly stated that this song is my favorite song ever. If you could combine sex, drugs, and Twinkies into a single consumable substance, the result would not make me feel as good as this song does. The preceding track, "Moribund the Burgermeister," is another favorite of mine, but a small part of its magic is derived from the fact that you know the next song is "Solsbury Hill." Unless your music player is on shuffle. Probably the key to its brilliance was that Gabriel wrote it as an explanation of why he left Genesis to pursue a solo career. Fortunately, he had enough momentum from this song to carry him through not one but two poor albums - and boy, was Peter Gabriel II bad - before finally releasing Peter Gabriel III, my favorite of his catalog and the record that started bringing him some commercial success with the single "Games Without Frontiers."
2. "Under the Bridge" from Blood Sugar Sex Magik by The Red Hot Chili Peppers - Some may wish to crucify me with extra-blunt nails for this. But to me, there is everything else on the album, which is collectively a pretty good study of modern funk and definitely RHCP's best album, and then there's this song, which is one of the greatest 90's alternative songs period. It was a time when RHCP decided to stop being so much of a joke band, but before they became a joke again for trying so often to reproduce the mellow, pop-oriented sounds of "Under the Bridge."
3. "I Might Be Wrong" from Amnesiac by Radiohead - In this case, the rest of the album is pretty bad. "Knives Out" is a pretty good song, and the rest are somewhat listenable at best. This particular song, however, really rocks. It features a main riff in drop-D tuning, and now that I mention it, an actual guitar track, which was such a rarity for this album. In my opinion (but not the opinion of very many others who would self-apply the label of "Radiohead fan") this was Radiohead at their lowest point. In my quest to eventually find all the Radiohead albums on vinyl, I'd happily skip Amnesiac were it not for this awesome little tune.
4. "Regret" from Republic by New Order - Man, I can't believe I missed this one originally. New Order is a great band (though I don't know if anyone else on the Top 5 committee is going to agree with me). There are a ton of great tracks in their catalogue (just pick up their "Singles" two-disc set and you'll see what I mean), but this song is by far my personal favorite, and it's the band's highest-charting single in the US. The rest of the album contains a handful of good songs, such as "World" and "Spooky," but "Regret" is one of those songs that might get you listening to New Order in the first place. I dare say it would be worth it to see New Order live if they just played this and "Ceremony."
5. "Every Breath You Take" from Synchronicity by the Police - There are a number of really good songs on the album, such as "King of Pain" and "Synchronicity II." But this song is a behemoth, destroying skyscrapers in Tokyo and sending schoolchildren fleeing in terror. It was one of the songs that dominated the 80's, despite the fact that is was a song about stalking someone and written with a dusty old chord progression straight from Motown (G, Em, C, D). Despite it being overplayed as all hell, it's still a really good song, and stands in a class of its own above even the rest of the Police's best album. Of course, those other songs I mentioned are damn good, so this has to drop down to #5 on my list.
Honorable mention: "True" from True by Spandau Ballet, "Notorious" from Notorious by Duran Duran, "Just Like Honey" from Psychocandy by The Jesus and Mary Chain.
Ryan's Top 5:
This was harder than anticipated. I've stretched the logic a bit. Hi, I'm Ryan.
1. "Hotel California" from The Very Best Of The Eagles by The Eagles - I'm sorry, but The Eagles suck. I remember hearing David Spade talk about how he went to an Eagles concert and they had the balls to open up with "Hotel California." It'd be pretty convenient, I suppose, if this happened. Beat the traffic!
2. "Free Bird" from Pronounced by Lynyrd Skynyrd - I apologize to any Skynyrd fans out there. Wait, no I don't. Anyway, I've never been a fan of most of their non-Free-Bird stuff. (I call it Hotel-California-Syndrome.)
3. "American Pie" from American Pie by Don McLean - OK, hotshot, you try listening to any of the other songs on the album without falling asleep. I'll wake you up when you're ready to admit defeat.
4. "Carry On My Wayward Son" from Leftoverture by Kansas - Well, I assume. I'll admit that I haven't made it through the entire album. Prove me wrong, closet Kansas fans, prove me wrong!
5. "Dream On" from Aerosmith by Aerosmith - Aerosmith does not have another song equal to this one. I already used the Best Of trick with The Eagles, though, and I don't feel comfortable doing it with Aerosmith ("Walk This Way" et. al. are pretty good...Aerosmith circa 1980-present just plain sucks, though. Do not tell me that the Walk This Way/Run DMC remix is good. No. No. No. No.)
Tim's Top 5:
I won't include compilations, greatest hits albums, or albums I don't own.
1. "Let's Get It On" from Let's Get It On by Marvin Gaye - I own the remastered version of Let's Get It On that has bonus tracks on it. Thus, this has to top the list, because the two best songs on the album are "Let's Get It On". Sure, there's other songs on the album that are okay, "Distant Lover" would become a classic, but this song is so timelessly carnal and represents one of Marvin Gaye's best vocal performances ever. I don't know what percentage of children conceived in 1973 were conceived while this song was playing or were conceived as a direct result of this song, but I'd have to venture that it's probably greater than 1%.
2. "Roc Boys (and the winner is...)" from American Gangster by Jay-Z - The album is good, eventually, though it took its time to grow on me. But nothing else on the album has one shred of energy compared to this horn-laden endorphin dump that is really Jay-Z giving in to Kanye's pop sensibility in its entirety.
3. "Dry the Rain" from The Three E.P.'s by The Beta Band - Rob was right to play "Dry the Rain" in order to sell his copies of The Three E.P.s, because the other tracks on them...are uniformly not very impressive. "Needles In My Eyes" is my second favorite song on the album, apparently, and I've listened to it once.
4. "Common People" from Has Been by William Shatner - The Pulp song may be the best on its album, but it makes this otherwise largely-forgettable pastiche of odd songs and spoken word from William Shatner. There's something frightfully wonderful about him saying "chip stain grease" like it's something quaintly American.
5. "Spitting Games" from Final Straw by Snow Patrol - This song is so unlike most of what Snow Patrol has recorded, I don't know what exactly the music in the intro is composed of, but I wholeheartedly support it. I got hooked on this song when it was on MVP Baseball in some year, but I'd forgotten its existence until shortly after "Chasing Cars" began getting way too much airplay. It sounds heavily-produced like the first album from The Bravery (also guilty of appearing in MVP Baseball), but actually executed in a proper fashion. When they opened their concert in Camden with Spitting Games last year, I honestly felt like I was ready to go, it was going to be their high point, and I'd already seen OK Go. While I like the remainder of their work, it's just not on the same level.
Honroable mention: "Jeepster" from Electric Warrior by T. Rex - Electric Warrior is supposed to be the paragon of glam rock along with Ziggy Stardust. There's only one problem. The album's not very good. I had originally slotted it at #3 in my list before I realized that although I used to have the album during Cornell's free napster period, I don't have it now. So it warrants mention; "Nothin' Better To Do" from Boo-Tay by Bare Jr.; "No Name #1" from Roman Candle by Elliott Smith; "My Eyes" from The Boy With No Name by Travis
Thursday, March 20, 2008
Top 5 Guilty Pleasures, Music
This was Tory's idea originally, last summer, I'm reviving it here. I thought about doing Top 5 Guilty Pleasures but I figured we could expand to movies, TV, books, etc. etc. etc. The list is tough as I have very little shame and embrace most all that I like, despite its blatant shittiness (I'm looking in your direction, Journey and Styx).
1. Wings, any and all songs that I like - I bought Wingspan in high school and was a devotee of its bland 70s bubblegum poppiness. Now those songs are nostalgic, and I have real problems with music and nostalgia (this issue will rear its ugly head in later list entries). Let me throw out some examples of songs that A) I like and B) I assume the general populace accepts as crap: Mull of Kintyre, Junior's Farm, Helen Wheels, Silly Love Songs (not only do I like this song, I love and will seek out this song--it almost deserves a separate entry).
2. Christmas music - OK, I suppose I don't feel especially guilty for my predilection for Christmas music, but the sappiness with which I embrace the holiday season really is a bit odd. From November through December, when we're driving at night, we typically first check Delilah's radio show to see what's on. I won't listen to ANY Christmas music, though (given, the birth of J.C. inspired a lot of good stuff [charity, loving thy neighbor] and a lot of bad stuff [The Crusades, "Christmas Shoes"]). Anyway, as I could say for every song on here, Christmas music surely won't earn me any cool points.
3. Pure Moods, Vol. I - Just kidding.
4. "Say Goodbye" by Madonna - Even I am tempted to beat myself up for liking this song. It did capture that existential ennui that my lovelorn self felt in 1994, though, to be fair.
5. Ace of Bass - All right, I'm not sure if I'm especially guilty about this one either, as I embrace Ace of Bass the same way I embrace Styx and Journey, and the way other people embrace "YMCA" by the Village People. That said, I'll include them, as they're so flagrantly deserving of a guilty pleasure list (they've got the Eurotrash angle working for them in spades). Also, I was a big fan when they were big--I don't appreciate them solely for reasons of kitsch.
Dan's Top 5:
1. Wesley Willis - Nonsense songs with a cheap keyboard accompaniment, featuring closing commercial taglines delivered by a huge, headbutting black man. All credit to Tim for introducing me to Wesley Willis. Rock over London, rock on Chicago.
2. Justin Timberlake - Futuresex/Lovesounds - This is my first of the mainstream artists to admit to liking in this list. I hold no shame in loving Styx or Journey at all, but when to comes to a former member of 'N Sync, that's nearly inexcusable.
3. Prog Rock - I'm talking about Rush, Genesis (the Gabriel years), Yes, Porcupine Tree, Coheed & Cambria, Pink Floyd and Muse. If it's highly technical music, I probably like it. It's about the second-most-nerdy genre of music that there is. (Number one is Heavy Metal. Speaking of which...)
4. Stabbing Westward - This band qualified as industrial metal, apparently. They existed before the pejorative "emo" label came about. They were dark and heavy, and their lyrics were very intense and emotional. NIN is gradually gaining acceptance among my music-loving peers, especially when I tell them that Trent Reznor cites Bowie as an influence. But I doubt that Stabbing Westward will ever enjoy an evolution from the realm of nerd music.
5. "Beautiful" by Christina Aguilera - I actually think that this is a well-wriiten and well-executed pop song. But it comes from an artist I could never have imagined listening to. I guess we all know who won that Aguilera-Spears battle from way back when.
Honorable Mentions - any mainstream song that I happen to end up either liking or getting stuck in my head (e.g., "Umbrella" by Rhianna)
Tim's Top 5:
1. Music that's cooler than I could ever hope to be - The fact that I enjoy Dead Kennedys, Sex Pistols, Ramones, Jay-Z, Kanye West (ok...never mind about Kanye, he's not cool at all) says one thing about me -- I don't know my place and I've had a lot of awkward moments with cashiers who look at what I'm buying and then look at me and immediately call security. I could pass for being really into The Clash, because they did record Rock the Casbah. But Dead Kennedys...yeah, that's well beyond the pop sensibilities I'm permitted under the Geneva Convention.
2. Things involving Don Henley - I own Don Henley's greatest hits. And the Eagles greatest hits double album. And I listen to his solo greatest hits album (not so much with the Eagles album). Yes, even Heart of the Matter. Yeah, I've even listened to All She Wants To Do Is Dance. I blame Bruce Hornsby...because End of the Innocence forced me to buy the greatest hits album, and then...it turned out I listen to the rest of it. Man, I suck.
3. Michelle Branch - I don't ever listen to her albums anymore, since my IPod is the source of all my music and it's listened to mostly at work, where I shan't dare to reveal my forbidden love. But deep down, I still like her and I think I'll end up buying her next album.
4. The Wallflowers - Part of me doesn't feel guilty...the rest of me knows that if I was spotted wearing a Wallflowers t-shirt, I'd have to join the Witness Protection Program. Their albums are actually relatively good, with the exception of Bringing Down The Horse, but it's also totally indefensible to own ALL of them.
5. James Bond themes - Yeah, all of them. Even if it's Sheryl Crow, Madonna, Sheena Easton, Rita frigging Coolidge...yeah, I can't separate them from the movies. So I enjoy them.
Honorable mention: Bruce Hornsby, Bobby Darin. Did I mention I'm 68 years old?
1. Wings, any and all songs that I like - I bought Wingspan in high school and was a devotee of its bland 70s bubblegum poppiness. Now those songs are nostalgic, and I have real problems with music and nostalgia (this issue will rear its ugly head in later list entries). Let me throw out some examples of songs that A) I like and B) I assume the general populace accepts as crap: Mull of Kintyre, Junior's Farm, Helen Wheels, Silly Love Songs (not only do I like this song, I love and will seek out this song--it almost deserves a separate entry).
2. Christmas music - OK, I suppose I don't feel especially guilty for my predilection for Christmas music, but the sappiness with which I embrace the holiday season really is a bit odd. From November through December, when we're driving at night, we typically first check Delilah's radio show to see what's on. I won't listen to ANY Christmas music, though (given, the birth of J.C. inspired a lot of good stuff [charity, loving thy neighbor] and a lot of bad stuff [The Crusades, "Christmas Shoes"]). Anyway, as I could say for every song on here, Christmas music surely won't earn me any cool points.
3. Pure Moods, Vol. I - Just kidding.
4. "Say Goodbye" by Madonna - Even I am tempted to beat myself up for liking this song. It did capture that existential ennui that my lovelorn self felt in 1994, though, to be fair.
5. Ace of Bass - All right, I'm not sure if I'm especially guilty about this one either, as I embrace Ace of Bass the same way I embrace Styx and Journey, and the way other people embrace "YMCA" by the Village People. That said, I'll include them, as they're so flagrantly deserving of a guilty pleasure list (they've got the Eurotrash angle working for them in spades). Also, I was a big fan when they were big--I don't appreciate them solely for reasons of kitsch.
Dan's Top 5:
1. Wesley Willis - Nonsense songs with a cheap keyboard accompaniment, featuring closing commercial taglines delivered by a huge, headbutting black man. All credit to Tim for introducing me to Wesley Willis. Rock over London, rock on Chicago.
2. Justin Timberlake - Futuresex/Lovesounds - This is my first of the mainstream artists to admit to liking in this list. I hold no shame in loving Styx or Journey at all, but when to comes to a former member of 'N Sync, that's nearly inexcusable.
3. Prog Rock - I'm talking about Rush, Genesis (the Gabriel years), Yes, Porcupine Tree, Coheed & Cambria, Pink Floyd and Muse. If it's highly technical music, I probably like it. It's about the second-most-nerdy genre of music that there is. (Number one is Heavy Metal. Speaking of which...)
4. Stabbing Westward - This band qualified as industrial metal, apparently. They existed before the pejorative "emo" label came about. They were dark and heavy, and their lyrics were very intense and emotional. NIN is gradually gaining acceptance among my music-loving peers, especially when I tell them that Trent Reznor cites Bowie as an influence. But I doubt that Stabbing Westward will ever enjoy an evolution from the realm of nerd music.
5. "Beautiful" by Christina Aguilera - I actually think that this is a well-wriiten and well-executed pop song. But it comes from an artist I could never have imagined listening to. I guess we all know who won that Aguilera-Spears battle from way back when.
Honorable Mentions - any mainstream song that I happen to end up either liking or getting stuck in my head (e.g., "Umbrella" by Rhianna)
Tim's Top 5:
1. Music that's cooler than I could ever hope to be - The fact that I enjoy Dead Kennedys, Sex Pistols, Ramones, Jay-Z, Kanye West (ok...never mind about Kanye, he's not cool at all) says one thing about me -- I don't know my place and I've had a lot of awkward moments with cashiers who look at what I'm buying and then look at me and immediately call security. I could pass for being really into The Clash, because they did record Rock the Casbah. But Dead Kennedys...yeah, that's well beyond the pop sensibilities I'm permitted under the Geneva Convention.
2. Things involving Don Henley - I own Don Henley's greatest hits. And the Eagles greatest hits double album. And I listen to his solo greatest hits album (not so much with the Eagles album). Yes, even Heart of the Matter. Yeah, I've even listened to All She Wants To Do Is Dance. I blame Bruce Hornsby...because End of the Innocence forced me to buy the greatest hits album, and then...it turned out I listen to the rest of it. Man, I suck.
3. Michelle Branch - I don't ever listen to her albums anymore, since my IPod is the source of all my music and it's listened to mostly at work, where I shan't dare to reveal my forbidden love. But deep down, I still like her and I think I'll end up buying her next album.
4. The Wallflowers - Part of me doesn't feel guilty...the rest of me knows that if I was spotted wearing a Wallflowers t-shirt, I'd have to join the Witness Protection Program. Their albums are actually relatively good, with the exception of Bringing Down The Horse, but it's also totally indefensible to own ALL of them.
5. James Bond themes - Yeah, all of them. Even if it's Sheryl Crow, Madonna, Sheena Easton, Rita frigging Coolidge...yeah, I can't separate them from the movies. So I enjoy them.
Honorable mention: Bruce Hornsby, Bobby Darin. Did I mention I'm 68 years old?
Wednesday, July 11, 2007
Top 5 Albums Since 2000
This is pretty basic, but most of my standard go-to "best albums" (Dark Side of the Moon, Weezer, OK Computer, most Peter Gabriel albums) are excluded from consideration. And hey, who says music sucks nowadays?
Dan's Top 5:
1. Gorillaz - Demon Days - Probably one of the most artistic albums I've heard, as it's a complete transformation from the beginning of the album to its end. It's also the album that solidified my respect for Danger Mouse.
2. Sigur Rós - Takk... - I can't really describe this album other than that all the music just soars. It's Icelandic experimental post-rock, so it's not for everyone, but it's definitely worth at least one listen, since it's damn beautiful music.
3. Daft Punk - Discovery - I've never heard electronic/house music that's so accessible. The album really flows, as illustrated by the accompanying anime film "Interstella 5555."
4. Belle and Sebastian - The Life Pursuit - Despite the fact that baroque pop music has been around since the 60's (Beatles, Beach Boys), this album still sounds pretty fresh. I'd recommend it to just about anyone.
5. The Go! Team - Thunder, Lightning, Strike - The best example I can think of to prove that creativity in music isn't dead. No other bands sound like these guys, and they sound good. "A mixture of action theme songs, cheerleader chants, guitars and early hip hop, with a hint of '70s funk." (Yes, I had to go to Wikipedia to try to describe it.)
Ryan's Top 5:
Interesting--we don't have any of the same five. This was a tough list; I have a lot of "honorable mentions."
1. Flaming Lips - Yoshimi Battles the Pink Robots - I honestly think this is one of the most complete albums of all-time.
2. Muse - Black Holes and Revelations - I don't even think this is premature. There are few albums I've listened to more consistently. Finished the album? Start it over. Repeat.
3. Ben Folds - Rockin' the Suburbs - What can I say, I love Ben Folds. I think after you've heard 'Zac and Sara' and 'Annie Waits' more than five times it's easy to forget how good they are as pop songs.
4. The Postal Service - Give Up - I like Death Cab, but not as much as The Postal Service. I wouldn't skip any track on here, and to me, it's a very original sound that resonates well with my tastes (i.e., good music).
5. Badly Drawn Boy - One Plus One is One - He excels at making complete albums. "Born in the UK" was good, but not near this. Ditto "About a Boy" soundtrack (of which he did the entirety).
Honorable mentions (that I REALLY wanted to include), in no real order:
- Sufjan Stevens - Come on feel the Illinoise
- Ben Folds - Songs for Silverman
- Gnarls Barkley - St. Elsewhere
- Kanye West - College Dropout
Tim's Top 5:
1) Ok Go – Oh No - I have now listened to the entire album six times on ITunes, which puts it at least three listens up on all albums that aren't London Calling, and therefore means this has to be a masterpiece. The fact that every month I find a new song that I'm enamored with lends support to this theory.
2) Jay-Z – The Black Album - In my opinion, this is the finest rap/hip hop album ever made. Too bad he followed it up with Kingdom Come. It's all over the map, but every track is worth owning -- ok, except Justify My Thug.
3) Franz Ferdinand – Franz Ferdinand - This is the last new band I got behind from the beginning, and I stand by my decision. Its reference to Terry Wogen in The Dark of the Matinee may be one of the most absurdly enjoyable moments in all of music for some reason, just because I knew who Terry Wogen was. This is how things work with me...make me feel important and worldly, I'd give you a Grammy.
4) Old 97’s – Satellite Rides - This is my favorite Old 97's album of the moment, though Fight Songs and Too Far to Care have both had their turns and the latter almost cracked the list here. "King of All of the World" and "Designs On You" are some of the best songs they ever made and "Question" is probably the reason I decided I really needed to get that engagement ring now after waiting all too long.
5) Elliott Smith – From a Basement on a Hill - It's a tossup between this and Figure 8. Figure 8 is a better album all around, but this one has more meaning to me and is just poignant from start to finish. Let's Get Lost, Pretty (Ugly Before), and Coast to Coast are among his finest work, but the haunted sound of the whole album makes it an album of unparalleled importance to me, even if it's not finely crafted.
I really wanted to find a spot for Kanye West - The College Dropout after it made Ryan's almost list, but the fact is that the Black Album is vastly better than Kanye's debut which is too uneven and features too many second-tier rappers. The Killers get slighted here, either album could have made it, and Guided by Voices - Isolation Drills rightly ought to, if only to make my list look slightly less commercial.
Tory's Top 5:
1. Bright Eyes - Lifted or The story is in the soil, Keep your ear to the ground - Perhaps I like Bright Eyes too much, but either way this slightly country influenced album is quite possibly his best album.
2. Damien Rice - O - I didn't think I liked folk inspired music until I heard Damien Rice. I got this CD when one of my first girlfriends broke up with me, and it quite possibly being the most depressing ten songs ever recorded definitely helped me through it. I have probably listened to this whole album through in a single sitting 30 plus times.
3. Bright Eyes - I'm Wide Awake, It's Morning - Tied with O for the best folk album ever recorded. This album has an incredible guest appearance by Emmylou Harris, and takes a different turn for Conor Oberst with an actually upbeat and happy tone to it.
4. Our Lady Peace - Spiritual Machines - Every song is good. Not too mention, concept albums don't seem to made anymore, and it's a shame when one listens to this and realizes just how good (and at times insanely creepy) they can be. I love this album.
5. Tenacious D - Tenacious D - It's a good thing it took them seven years to make their first album, otherwise it wouldn't be on this list. Tenacious D is undoubtedly the funniest band ever, and the soundtrack to their movie is a definite honorable mention. The reason this album didn't go higher is because I have actually listened to this album so many times that I have overplayed every song and comedy segment on it. But I'll still listen to it again. And no joking, I have probably listened to this in its entirety one hundred or more times.
Dan's Top 5:
1. Gorillaz - Demon Days - Probably one of the most artistic albums I've heard, as it's a complete transformation from the beginning of the album to its end. It's also the album that solidified my respect for Danger Mouse.
2. Sigur Rós - Takk... - I can't really describe this album other than that all the music just soars. It's Icelandic experimental post-rock, so it's not for everyone, but it's definitely worth at least one listen, since it's damn beautiful music.
3. Daft Punk - Discovery - I've never heard electronic/house music that's so accessible. The album really flows, as illustrated by the accompanying anime film "Interstella 5555."
4. Belle and Sebastian - The Life Pursuit - Despite the fact that baroque pop music has been around since the 60's (Beatles, Beach Boys), this album still sounds pretty fresh. I'd recommend it to just about anyone.
5. The Go! Team - Thunder, Lightning, Strike - The best example I can think of to prove that creativity in music isn't dead. No other bands sound like these guys, and they sound good. "A mixture of action theme songs, cheerleader chants, guitars and early hip hop, with a hint of '70s funk." (Yes, I had to go to Wikipedia to try to describe it.)
Ryan's Top 5:
Interesting--we don't have any of the same five. This was a tough list; I have a lot of "honorable mentions."
1. Flaming Lips - Yoshimi Battles the Pink Robots - I honestly think this is one of the most complete albums of all-time.
2. Muse - Black Holes and Revelations - I don't even think this is premature. There are few albums I've listened to more consistently. Finished the album? Start it over. Repeat.
3. Ben Folds - Rockin' the Suburbs - What can I say, I love Ben Folds. I think after you've heard 'Zac and Sara' and 'Annie Waits' more than five times it's easy to forget how good they are as pop songs.
4. The Postal Service - Give Up - I like Death Cab, but not as much as The Postal Service. I wouldn't skip any track on here, and to me, it's a very original sound that resonates well with my tastes (i.e., good music).
5. Badly Drawn Boy - One Plus One is One - He excels at making complete albums. "Born in the UK" was good, but not near this. Ditto "About a Boy" soundtrack (of which he did the entirety).
Honorable mentions (that I REALLY wanted to include), in no real order:
- Sufjan Stevens - Come on feel the Illinoise
- Ben Folds - Songs for Silverman
- Gnarls Barkley - St. Elsewhere
- Kanye West - College Dropout
Tim's Top 5:
1) Ok Go – Oh No - I have now listened to the entire album six times on ITunes, which puts it at least three listens up on all albums that aren't London Calling, and therefore means this has to be a masterpiece. The fact that every month I find a new song that I'm enamored with lends support to this theory.
2) Jay-Z – The Black Album - In my opinion, this is the finest rap/hip hop album ever made. Too bad he followed it up with Kingdom Come. It's all over the map, but every track is worth owning -- ok, except Justify My Thug.
3) Franz Ferdinand – Franz Ferdinand - This is the last new band I got behind from the beginning, and I stand by my decision. Its reference to Terry Wogen in The Dark of the Matinee may be one of the most absurdly enjoyable moments in all of music for some reason, just because I knew who Terry Wogen was. This is how things work with me...make me feel important and worldly, I'd give you a Grammy.
4) Old 97’s – Satellite Rides - This is my favorite Old 97's album of the moment, though Fight Songs and Too Far to Care have both had their turns and the latter almost cracked the list here. "King of All of the World" and "Designs On You" are some of the best songs they ever made and "Question" is probably the reason I decided I really needed to get that engagement ring now after waiting all too long.
5) Elliott Smith – From a Basement on a Hill - It's a tossup between this and Figure 8. Figure 8 is a better album all around, but this one has more meaning to me and is just poignant from start to finish. Let's Get Lost, Pretty (Ugly Before), and Coast to Coast are among his finest work, but the haunted sound of the whole album makes it an album of unparalleled importance to me, even if it's not finely crafted.
I really wanted to find a spot for Kanye West - The College Dropout after it made Ryan's almost list, but the fact is that the Black Album is vastly better than Kanye's debut which is too uneven and features too many second-tier rappers. The Killers get slighted here, either album could have made it, and Guided by Voices - Isolation Drills rightly ought to, if only to make my list look slightly less commercial.
Tory's Top 5:
1. Bright Eyes - Lifted or The story is in the soil, Keep your ear to the ground - Perhaps I like Bright Eyes too much, but either way this slightly country influenced album is quite possibly his best album.
2. Damien Rice - O - I didn't think I liked folk inspired music until I heard Damien Rice. I got this CD when one of my first girlfriends broke up with me, and it quite possibly being the most depressing ten songs ever recorded definitely helped me through it. I have probably listened to this whole album through in a single sitting 30 plus times.
3. Bright Eyes - I'm Wide Awake, It's Morning - Tied with O for the best folk album ever recorded. This album has an incredible guest appearance by Emmylou Harris, and takes a different turn for Conor Oberst with an actually upbeat and happy tone to it.
4. Our Lady Peace - Spiritual Machines - Every song is good. Not too mention, concept albums don't seem to made anymore, and it's a shame when one listens to this and realizes just how good (and at times insanely creepy) they can be. I love this album.
5. Tenacious D - Tenacious D - It's a good thing it took them seven years to make their first album, otherwise it wouldn't be on this list. Tenacious D is undoubtedly the funniest band ever, and the soundtrack to their movie is a definite honorable mention. The reason this album didn't go higher is because I have actually listened to this album so many times that I have overplayed every song and comedy segment on it. But I'll still listen to it again. And no joking, I have probably listened to this in its entirety one hundred or more times.
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