Top 5 Songs With Religious Subject Matter

I went through a lot of possible titles for this post: Top 5 Songs That Are At Least Vaguely About Christianity [rolls right off the tongue, right?], Top 5 Songs About Christianity, Top 5 Songs With Christian Subject Matter.  I came up with this idea after seeing the song "Jesus is Just Alright" by The Doobie Brothers on XM.  In essence, here's how I'm applying the ground rules for myself: songs that include Christian subject matter, with a little more importance in the song than just a throwaway line.  This excludes songs like "Heaven Knows I'm Miserable Now" by The Smiths, as it just includes the word "heaven" and nothing else.

Go with me on this one.

Ryan's Top 5:

1. John Lennon - "God" - The song that really solidified his split from The Beatles.  In that context, this song can be really depressing to listen to, but it is, still, perfect in my mind.  Key religious lyric: "God is a concept by which we measure our pain."

2. The Rolling Stones - "Sympathy for the Devil" - I'm pretty firm on this being my favorite Rolling Stones song.  Key religious lyric: "And I was 'round when Jesus Christ / Had his moment of doubt and pain / Made damn sure that Pilate / Washed his hands and sealed his fate."

3. Morrissey - "I Have Forgiven Jesus" - I still feel vaguely sacrilegious listening to this song.  Key religious lyric: "I have forgiven Jesus / For all the desire / He placed in my heart when there's nothing I can do / With this desire" [this among many lines].

4. Billy Bragg & Wilco [lyrics by Woody Guthrie] - "Christ for President" - Satire at its finest.  I might try teaching this next year...every discussion I have with kids seems to get onto the subject of religious hypocrisy and the need for socialism, so it'd fit.  Key religious lyric: Well, all of it.  But my favorite is: "The only way we can ever beat / These crooked politician men / Is to run the money changers out of the temple / Put the Carpenter in."

5. Kanye West - "Jesus Walks" - This narrowly edged out Neutral Milk Hotel, mainly because it very definitely fits the criteria.  Anyway, this song kicks ass, and modern raps that actually have social/religious relevance are rare indeed.  (I'm sorry, there aren't nearly as many good popular rappers now.  It's okay, there are probably fewer good mainstream rockers.)  Favorite lyric [they're all religious]: "To the hustlers, killers, murderers, drug dealers, even the strippers / (Jesus walks with them)."


Honorable Mentions - Number 6 is "King of Carrot Flowers Pt. 2" by Neutral Milk Hotel, Number 7 is probably "Number of the Beast" by Iron Maiden, number 8 is "Big Sky" by The Kinks, and the rest I considered in no order are: "Spirit in the Sky," Norman Greenbaum, "Highway to Hell," AC/DC, "Devil Went Down to Georgia," Charlie Daniels Band, "Straight to Hell," The Clash, "God Knows I'm Good" and "Modern Love," Bowie, "Imagine," Lennon, "Vicar in a Tutu," The Smiths (bit of a stretch), "My Sweet Lord," George Harrison, "Personal Jesus," Depeche Mode.

Ashley’s Top 5: 

1. Norman Greenbaum – “Spirit in the Sky” – I’m a sucker for handclaps.  For all of the hokey lyrics and goofy rhymes in this song, it’s still so awesome.  I love the guitar, the handclaps, the background singers, and every time I hear it I get a huge smile on my face. Greenbaum is apparently a practicing Jew (strange, considering the Jesus references abound) and this song is almost enough to convert me.

2. The Clash – “Death or Glory” – One of my favorite songs by The Clash, this one makes the list mostly because it’s awesome and because it contains one of the best biting commentaries about religion: “And I believe in this—and it’s been tested by research—he who fucks nuns will later join the Church!”

3. Violent Femmes – “Jesus Walking On The Water” – Penned by devout Baptist (and son of a Baptist minister) Gordon Gano (who knew?) this song is such a jam by such a great band.

4. Modest Mouse – “Styrofoam Boots/It’s All Nice on Ice, Alright” – This is the song that made me want to learn the banjo years ago.  From The Lonesome Crowded West, this song is apparently a crowd pleaser, according to YouTube, which I guess I never realized, and when I saw Modest Mouse in 2003 I really wanted them to play this jam but Isaac Brock was too drunk and too busy yelling at sailors at The Norva in Norfolk (they did play my other favorite, “Trailer Trash”).  It’s filled with religious references (feet floating like Christ’s, Saint Peter, etc.) and it segues into its companion song, which is also great.

5. Brian Jonestown Massacre – “The Ballad of Jim Jones” – The first time I watched Dig! I fell in love with this song, which has a dope harmonica and really gorgeous lyrics.  It’s a bit of a downer (compared to the rest of the list, I guess) but it’s been one of my favorites for years.

Honorable mentions: I was committed to putting my favorite gospel song on the list but decided against it at the last minute because it wasn’t quite fair to pull something from that genre; anyway, it is this version of “I Can't Feel At Home In This World Anymore,” by Edith & Sherman Collins (“This world is not my home, I’m just a-passin’ through, my treasures and my hopes are all beyond the blue...”) Other runners-up are: Neutral Milk Hotel–“King of Carrot Flowers pt. 2,” and The Vaselines–“Jesus Wants Me For a Sunbeam”.

Tim's Top Five:

1) I Still Haven't Found What I'm Looking For - U2 - the song is entirely about Jesus, but you don't really even think about it that way. That's a feat in and of itself that warrants its placement atop the list. But most of all, it was the ship that launched a thousand good songs -- the first two reputable albums I ever owned were U2 - The Joshua Tree and R.E.M. - Out of Time (though I will defend my choice to buy the Spin Doctors - Pocketful of Kryptonite to the day I die). It's simple, it's quiet, and it's powerful stuff, and it's songs like this that make U2's concerts almost as spiritual as Springsteen's -- and when this one's absent, you feel you've lost something.

2) O Mary Don't You Weep - Bruce Springsteen (or Pete Seeger, if you prefer) - this song epitomizes just how phenomenal an achievement Springsteen's Seeger Sessions album was. I had never considered buying it, why would I? Then you hear the kind of fun they're having on the album, a real big band sound, and the fact that it's "Seeger Sessions" that sound like the exact opposite of Pete Seeger -- explosive and potent.

3) Jesus Christ - Big Star - One of the real revelations of the mostly unnecessary Big Star box set was the stereo version of this song, which completely reinvents it and makes it the kind of perfect power pop that laced their first two albums that is lost in the brooding and haunting nature of Third. It gleams brand new, like the last thing Alex Chilton ever recorded. The original (which is captured on youtube here) is still fantastic (though marred by the circus intro for 20 seconds), but the song really makes the best use of an echo chamber I've heard post-Buddy Holly without being Edward Sharpe and the Magnetic Zeroes-level indulgent.

4) She Left Me For Jesus - Hayes Carll - Well, ignore the cheesy music video that interrupts the song repeatedly, but this is what country music should be, alcohol-soaked, bitter and funny from start to finish.

The chorus really does it justice: She left me for Jesus/And that just ain't fair/She says that he's perfect/How could I compare/She says I should find him./and I'll know peace at last/But if I ever find Jesus/I'm kickin' his ass.

5) Spooky Mormon Hell Dream - Book of Mormon - Well, congratulations, Ryan. You've made me look like I'm a touch flamboyant, since this is my second straight list involving Broadway musicals. For those unfortunate enough to have not seen The Book of Mormon, there are at least a couple songs worthy of mention here, but Spooky Mormon Hell Dream is the winner here for its inclusion of Johnny Cochran. You lose most of it when you don't actually see it on stage, particularly Jesus telling Elder Price that he's a dick, but it's fantastic.

Honorable Mention: Gotta Serve Somebody - Bob Dylan - really the highlight of his brief born-again period, Tears In Heaven - Eric Clapton, Knockin on Heaven's Door - Bob Dylan, Light Up Ahead - Further Seems Forever, Living Proof - Bruce Springsteen, I Believe - Book of Mormon - it's not as good a song as Spooky Mormon Hell Dream, but it has the greatest line in musical theater history -- all I will say is that it refers to 1978; All-American Prophet - Book of Mormon; Spirit in the Sky - Norman Greenbaum - loses points because I spend my time wondering why Norman has a friend in Jesus, given that he's Jewish?

Top 5 U2 songs (1991-2009)

Tim's Top 5:

So I'm seeing U2 at Giants Stadium later this year (along with opening act Muse). I have little doubt it will be awesome, I've noticed that I'm really a sucker for open-air stadium shows (no tinnitus issues and the only acts I've really seen in such venues are Springsteen (twice) and The Police. But I'm finally going back and getting all the albums pre-Joshua Tree that I've still never heard much of...hence this bifurcated list. I don't have Zooropa, but have the other post-1991 albums in one form or another, though my IPod got full before I bought No Line on the Horizon, so I've not listened to it much. Aside from the atrocious "Get On Your Boots", it's a strong album.

1. City of Blinding Lights from How to Dismantle An Atomic Bomb - The other reason to bifurcate this list is because it's on an album that can't possibly have spawned the best U2 song of all time...right? I'm not so sure. The intro carries a lot of weight on its own, the key progression on the keyboard is a real unifying force that matches the more orchestral progressions from The Joshua Tree (like the intro to Where the Streets Have No Name). Like that song, it takes more than a minute to reach the vocals and nearly 2 1/2 minutes before we hit the chorus to the song. The lyrics open with a hat tip to Bob Dylan and "My Back Pages" and swell into one of U2's most romantic songs. It gets bonus points for being the best used song at a political rally in my lifetime -- when Obama came out to this song at the Democratic National Convention, I dropped the CD in my alarm clock and wouldn't wake to anything but City of Blinding Lights until after the election. Unlike many U2 songs that build in one continuous crescendo (see One), it builds up, peaks, and drops, but each verse is still at a stronger level than the one preceding it. It strikes me as a profoundly mathematical arrangement, but it's so intuitive that it really works for me. I'm not sure what it is, but it's a magnificent song, one that it took U2 almost 30 years to create. I'm just grateful that it showed up on an episode of Entourage that ultimately persuaded me to buy the album.

2. Zoo Station from Achtung Baby- Every U2 album has an opening track that kind of signals the direction that their album is going. "Where The Streets Have No Name" is silent for nearly 30 seconds, signaling the quiet desperation of The Joshua Tree, "A Sort of Homecoming" shows a kind of mixed bag, a band uncertain what it's doing with its own growing fame, but a noticeable withdrawal from the political ethos of War while relying on an ever-increasing size to their sound, "Beautiful Day" was the first real sign that U2 was officially old, with Bono mostly talking through the track and the other vocals sounding heavily produced or augmented. Well, "Zoo Station" may be the best of all of them, announcing U2's desire to break from The Joshua Tree and indulge in a more German sound, capturing industrial music, John Cage percussion, and a whirlwind of music in the place of silence. It also makes an odd cameo in a movie I'll always love (About A Boy), which was what first made me listen to the song in its own right and not just as a track on U2's seminal album.

3. One from Achtung Baby - That's right, although "One" has been named as the best song in history in several polls that the BBC had done, I would put it third. It's a phenomenal song, laden with raw emotion and confusion (which explains why people play this profoundly depressing song about divided souls at weddings), but it lacks the revolutionary force of Zoo Station. It's a more developed sound than we got on The Joshua Tree, but it's more remarkable as a well-written song than as an eye-opening performance or change to music. It's a continuous crescendo from start to finish, with the music swelling and Bono's pleading growing stronger and yet wearier simultaneously.

4. Walk On from All That You Can't Leave Behind - Although All That You Can't Leave Behind won a fair amount of critical acclaim (seriously, Rolling Stone, the #139 album of all f***ing time? Better than Darkness on the Edge of Town? #1 Record? Radio City? Not even close, the second half of it is all but unlistenable), following on the hells of Pop, it's a profoundly uneven album and loses its way about halfway through. But this is one of their best and most uplifting songs about triumphing over the mundane with a solid spoken narrative intro that sets the song up beautifully. They milk the beauty of poetic repetition at the end and close out the song with force, it leads into "Kite", another song worthy of consideration...and then the album goes off the tracks after "In a Little While".

5. Original of the Species from How to Dismantle An Atomic Bomb- It's remarkable primarily because it's a very quiet song that really has a broad spectrum of sounds. At first it's the string section that's really the driving force, then there's a piano bridging the next gap, and then the vocals get more depth and force as the song continues to its conclusion. It's one of the few songs on the last three albums where you really have no doubt that Bono's voice actually sounded that way -- the weakness and age show up, but they're completely indispensable.

Honorable Mention: Magnificent, No Line on the Horizon, Even Better Than The Real Thing, Discotheque - Sorry, but if you removed the lyrics, it's a phenomenal Propellerheads track, as it is, it's just a strong point on a middling album.

Dan's Top 5:

Man, U2 really sucks these days.

1. Mysterious Ways from Achtung Baby - OK, I really like this one, but I've heard it far to many times over the past year to say many good things about it at the moment.

2. Beautiful Day from All That You Can't Leave Behind - loses point for being associated with a campus christian organization I was very loosely associated with.

3. Vertigo from How To Dismantle An Atomic Bomb - To be fair, it sounds far better if you're in Ireland getting drunk and listening to a local band cover it.

4. Elevation from All That You Can't Leave Behind - Bonus points for vocoder use and Bono's Joshua Tree-era high notes.

5. All Because Of You from How To Dismantle An Atomic Bomb - Hey, it's kinda catchy.

I don't particularly love any of these songs, but these are the ones I don't skip when they come up on my iPod. I have much love for anything before Achtung Baby, which really marked the downfall of this band in my eyes. Come to think of it, exactly half of the band's 12 albums came out before 1990, and the remaining 6 have all left something to be desired.