And now for the logical follow-up to the last post.
Dan's Top 5:
1. The Greatest American Hero - "Believe It or Not" by Joey Scarbury - This is the pinnacle example of a television show's theme song being WAY too good for the show it represents. I'm not sure how successful the show was, but this song was a hit, reaching #2 on the charts. Can you even grasp this? It was one away from the top song in the entire country according to The Billboard Hot 100. And let's not forget "The Suzie," the episode of Seinfeld containing one of the best moments of the series, when we hear the #1 answering machine message of all time, "Believe it or not, George isn't at home."
2. Perfect Strangers - "Nothing's Gonna Stop Me Now" by David Pomeranz - This is another instance of the song being much better than the show, but in this case, the show was really enjoyable. (To be fair, I can't judge Greatest American Hero having never seen an episode.) It takes a lot of talent for me to overlook the fact that one is a Scientologist (You shook your Etch-a-Sketch with War of the Worlds, Tom.) but Pomeranz apparently has the talent. He also did the theme to Zoobilee Zoo, and both infected my head when I was four years old. "Standin' Taaaaaaaaaaaaaall!"
3. Cheers - "Where Everybody Knows Your Name" by Gary Portnoy - This was the third attempt at writing a theme by Portnoy and Judy Angelo. The repeated rejection led them to start writing a sad tune over just two notes - B flat and F - and what followed was the beginning of one of the greatest themes ever. Who wants a beer?
4. The Fresh Prince of Bel-Air - "The Fresh Prince of Bel-Air" by Will Smith - I'll confess that I didn't watch this show religiously when it was on while we were growing up. But I still know a significant percentage of the theme's lyrics and recognized it was ridiculously catchy. Yo, home smell you later!
5. Gilligan's Island - "The Ballad Of Gilligan's Isle" - written by Sherwood Schwartz and George Wyle, performed by The Wellingtons - Probably the song that makes me wary of any sort of short nautical expedition that is scheduled to last for three hours, lest I get marooned. And for the record, I prefer the version that name-checks The Professor and Mary-Ann. It really isn't that hard to sing them in, is it?
Honorable mention: The Jeffersons - "Movin' On Up," Green Acres - "Green Acres"
Ryan's Top 5:
Again, if you want the names of the composers/writers, I highly recommend www.wikipedia.com.
1. "Cheers" - "Cheers is filmed before a live studio audience" is firmly etched into my brain, as is every word to this song.
2. "Pete & Pete" - This is an excellent mid-90s alternative pop song that happens to be the tune for one of the greatest shows Nickelodeon's ever had a hand in. Man, whatever happened to Polaris? At least you can get this show on DVD, though, which is more than I can say for...
3. "Doug" - I mean, the only real lyrics are "doo doo doo doo," etc. But still, this song is from a time when cartoons were still good, funny, relevant to kids' lives, well-written, etc. And not about, for example, talking nautical sponges.
4. "Arthur and Friends" - I'd include this show on a guilty pleasure list--if I in any way felt guilty for liking it. I don't. And the theme song is performed by Ziggy Marley; reggae for kids is really, really underrated.
5. "David the Gnome" - We're doing top 5 kids' show theme songs including Cheers, right? Anyway, I really miss the French-Canadian animation of the 1980's, and all the musical genius it inspired.
Honorable mention: Frasier, Extras, Salute Your Shorts, Family Guy, Bill Nye the Science Guy, Reading Rainbow.
Tim's Top 5:
Again, my distaste for this category was fleeting.
1. The Monkees – Hey, hey, we’re the Monkees! Ok, they’re not good as a band, since they can’t play instruments. But they are remarkably good at times as a pop band, and the theme song is a typically inane but enjoyable theme.
2. Cheers – This is the prototype for a TV theme, because it actually makes you wish you were watching the show. Just two notes in and I wanted to pull out season 2 and start watching it, since I bought it too late into my summer associate year and no longer had a need to spend all my time in my apartment watching DVDs, because NCAA Football had come out.
3. The Wonder Years – Odd, this link goes to Joe Cocker performing “With a Little Help From My Friends”, not the Wonder Years theme! Yeah, I know, it’s a bit of a cop out, but it’s really Joe Cocker’s only good work that I’m aware of. The video has some huge dubbing issues, but it’s really better not to see him anyway.
4. Batman – Ok, admittedly, the only words to the song are “Batman”, but it has lyrics. It’s a song that is inseparable from the campy show from whence it came, but is still really appealing to me for some bizarre reason.
5. Underdog - While there are any number of cartoon songs that could make the claim to this (as evidenced by my unembarrassed ownership of the compilation album Saturday Morning – from which this version is taken, I’m partial to the theme of Underdog. Speed of lightning, roar of thunder, fighting all who rob or plunder, Underdog... Underdog!
Honorable mention: Darkwing Duck - Give me a break, I loved this show., Happy Days - I'm in disbelief this didn't make my top 5, The Greatest American Hero – quintessential Christopher Cross-y ‘80s theme that still makes me long for the days of not doing a damn thing; Reading Rainbow; Zoobilee Zoo (just watching three seconds of Ben Vereen made me nearly swallow my tongue, I shan't share).
Showing posts with label lyrics. Show all posts
Showing posts with label lyrics. Show all posts
Monday, June 30, 2008
Sunday, June 8, 2008
Top 5 Songs About Space
OK, this sounded like a pretty straightforward idea but actually proved to be considerably more difficult than originally planned. Here's a ground rule to help make things slightly simpler: songs dealing with aliens, even if they're aliens visiting earth, qualify. (See song #3.)
Ryan's Top Five
1. "The Galaxy Song" - Monty Python (written by Eric Idle and John Du Prez) - This song reminds me of "Always Look On The Bright Side Of Life" (obvious) and "The Village Green Preservation Society" (less so). Why? There are few songs that make me more cheerfully content. These songs are my anti-drug. "So remember when you're feeling very small and insecure / How amazingly unlikely is your birth / And pray that there's intelligent life somewhere up in space / 'Cuz there's bugger all down here on earth."
2. "Space Oddity" - David Bowie - Well, Dan's right, you cannot omit this in good conscience and I'm taking the piss (I've been watching too much BBC) by not putting it #1. You know a song satisfies the "space" requirement when it includes a countdown to a lift-off. Anyway, I think I like the song "Starman" more but it seemed less applicable. "How did you spend your Saturday night, Ryan?" "I mused upon the space-relevance of David Bowie's "Starman" versus David Bowie's "Space Oddity," and yourself?"
3. "Concerning The UFO Sighting Near Highland, Illinois" - Sufjan Stevens - An excellent way to start an excellent album. More importantly, it's straight up about UFOs, homey.
4. "Silent Sigh" - Badly Drawn Boy - This is from the "About A Boy" soundtrack--Damon Gough's impassioned plea for people not to move to the moon just yet, not at least until earth has eaten the heart from your soul. Soon as that happens though, boy howdy, I'm the Mayor of Moon Village!
5. "Starlight" - Muse - I love the idea of a spaceship taking someone away from everyone who cares about you, cares if you live or die. I mean, what are our hopes and expectations anyway? It's all black holes and revelations. (I was tempted to put [and someone else may likely put] "Knights of Cydonia," as Cydonia is a region on Mars, but, you know, ... fair play? These are the cosmic debates that keep one up at night. [Pun intended...I intend all puns.])
Honorable Mentions: "Bowie's in Space," which I mainly left out because I'm tired of talking about Really Funny Stuff and ruining the humor; "Starman," Bowie; "Surfing on a Rocket," Air; "Flash!" Queen (as soon as I become a baseball player, this is my batter's box intro theme); "Knights of Cydonia"; "Spaceman," Nilsson.
Dan's Top 5:
1. David Bowie - Space Oddity - I could put this at #2, sure... but then it would become this list's "Hot Fuss" (see previous list) - everyone ranking it high, but no one with the guts to put it at #1. Funny note: I originally hated this song because it sounded too weird. The more I realized how awesome Bowie is, the more this song was acceptable. Actually, that's not a funny note. That's just a sad realization that my younger self didn't know good music when he heard it.
2. Elton John - Rocket Man - Probably my second-favorite Elton John song behind "Tiny Dancer." Some parts of the song are confusing, such as "All this science I don't understand," and "And there's no one there to raise them if you did." It also loses points because ever since the William Shatner fiasco (see here), it's had a corniness aspect to it. But nonetheless a great song.
3. Pink Floyd - Set the Controls for the Heart of the Sun - timpani drums + weird chimes + phrygian mode to give it that "Eastern" sound = space rock, right? As a matter of fact, the title is the only lyric that contains a reference to space. But I mean if you're programming a spaceship's navigation system to journey to the center of a fucking star, I'd say that qualifies as a space song. One of Pink Floyd's early masterpieces.
4. Styx - Come Sail Away - Yeah, remember that last verse, wherein it's revealed that the angels are really aliens from OUTER SPACE? I'll bet that blew your mind when you first heard it. Wait, who am I kidding? Styx can't possibly blow anybody's mind. But as I said in my Top 5 Songs to Blast While Driving, it's a really fun song, unlike most space songs, which tend to be too bleak.
5. Air - Surfing on a Rocket - This song is the reason I don't hate the French. By far Air's best song with lyrics, though in my book it would get blown out of the water by "Alpha Beta Gaga" if whistling counted as lyrics. Also, very inventive use of countdown lyrics. Never before has "Five, four, three, two, one, ze-ro" sounded so catchy.
Honorable Mention: Europe - The Final Countdown - if it weren't so easy to envision myself growing my hair out, putting on a shiny cape and playing this song on key-tar while on my bed, then this song would have made the list. Also, Ryan's honorables are pretty damn good. Come to think of it, we should also do Top 5 Personal Batter's Box Intro Themes soon.
Ryan's Top Five
1. "The Galaxy Song" - Monty Python (written by Eric Idle and John Du Prez) - This song reminds me of "Always Look On The Bright Side Of Life" (obvious) and "The Village Green Preservation Society" (less so). Why? There are few songs that make me more cheerfully content. These songs are my anti-drug. "So remember when you're feeling very small and insecure / How amazingly unlikely is your birth / And pray that there's intelligent life somewhere up in space / 'Cuz there's bugger all down here on earth."
2. "Space Oddity" - David Bowie - Well, Dan's right, you cannot omit this in good conscience and I'm taking the piss (I've been watching too much BBC) by not putting it #1. You know a song satisfies the "space" requirement when it includes a countdown to a lift-off. Anyway, I think I like the song "Starman" more but it seemed less applicable. "How did you spend your Saturday night, Ryan?" "I mused upon the space-relevance of David Bowie's "Starman" versus David Bowie's "Space Oddity," and yourself?"
3. "Concerning The UFO Sighting Near Highland, Illinois" - Sufjan Stevens - An excellent way to start an excellent album. More importantly, it's straight up about UFOs, homey.
4. "Silent Sigh" - Badly Drawn Boy - This is from the "About A Boy" soundtrack--Damon Gough's impassioned plea for people not to move to the moon just yet, not at least until earth has eaten the heart from your soul. Soon as that happens though, boy howdy, I'm the Mayor of Moon Village!
5. "Starlight" - Muse - I love the idea of a spaceship taking someone away from everyone who cares about you, cares if you live or die. I mean, what are our hopes and expectations anyway? It's all black holes and revelations. (I was tempted to put [and someone else may likely put] "Knights of Cydonia," as Cydonia is a region on Mars, but, you know, ... fair play? These are the cosmic debates that keep one up at night. [Pun intended...I intend all puns.])
Honorable Mentions: "Bowie's in Space," which I mainly left out because I'm tired of talking about Really Funny Stuff and ruining the humor; "Starman," Bowie; "Surfing on a Rocket," Air; "Flash!" Queen (as soon as I become a baseball player, this is my batter's box intro theme); "Knights of Cydonia"; "Spaceman," Nilsson.
Dan's Top 5:
1. David Bowie - Space Oddity - I could put this at #2, sure... but then it would become this list's "Hot Fuss" (see previous list) - everyone ranking it high, but no one with the guts to put it at #1. Funny note: I originally hated this song because it sounded too weird. The more I realized how awesome Bowie is, the more this song was acceptable. Actually, that's not a funny note. That's just a sad realization that my younger self didn't know good music when he heard it.
2. Elton John - Rocket Man - Probably my second-favorite Elton John song behind "Tiny Dancer." Some parts of the song are confusing, such as "All this science I don't understand," and "And there's no one there to raise them if you did." It also loses points because ever since the William Shatner fiasco (see here), it's had a corniness aspect to it. But nonetheless a great song.
3. Pink Floyd - Set the Controls for the Heart of the Sun - timpani drums + weird chimes + phrygian mode to give it that "Eastern" sound = space rock, right? As a matter of fact, the title is the only lyric that contains a reference to space. But I mean if you're programming a spaceship's navigation system to journey to the center of a fucking star, I'd say that qualifies as a space song. One of Pink Floyd's early masterpieces.
4. Styx - Come Sail Away - Yeah, remember that last verse, wherein it's revealed that the angels are really aliens from OUTER SPACE? I'll bet that blew your mind when you first heard it. Wait, who am I kidding? Styx can't possibly blow anybody's mind. But as I said in my Top 5 Songs to Blast While Driving, it's a really fun song, unlike most space songs, which tend to be too bleak.
5. Air - Surfing on a Rocket - This song is the reason I don't hate the French. By far Air's best song with lyrics, though in my book it would get blown out of the water by "Alpha Beta Gaga" if whistling counted as lyrics. Also, very inventive use of countdown lyrics. Never before has "Five, four, three, two, one, ze-ro" sounded so catchy.
Honorable Mention: Europe - The Final Countdown - if it weren't so easy to envision myself growing my hair out, putting on a shiny cape and playing this song on key-tar while on my bed, then this song would have made the list. Also, Ryan's honorables are pretty damn good. Come to think of it, we should also do Top 5 Personal Batter's Box Intro Themes soon.
Saturday, August 4, 2007
Top 5 Lyricists
Lyrics are what compels me more than music, and this list is to honor those who have realized that lyrics are important and not to just be shoved in between the catchy instruments. I will give one example of their writing, though all of these definitely have much more to offer.
Tory's Top 5:
1. Conor Oberst - The front man for Bright Eyes who started writing music when he was about 13, and put out about 20 songs written from the time between age 13 and 15, all showing the technique of an established poet. It isn't so much cleverness of the lyrics, but the use of rhyme along with half-rhyme, assonance and alliteration to make lines fit together. Has also established about 4 other bands."There's a dream in my brain, that just won't go away, it's been stuck there since it came a few nights ago / and i'm standing on a bridge, in the town where i lived as kid with my mom and my brothers / and then the bridge disappears and i'm standing on air / with nothing holding me."
2. Damien Rice - Simply an incredible writer. Pairs music with his songs perfectly, and writes what some could say are the most depressing songs in existence, but always sings them with an incredible beauty. "Cheers darlin, I got years to wait around for you / Cheers darlin, I got your wedding bells in my ear / cheers darlin, you gave me three cigarettes, to smoke my tears away."
3. Maynard - Fronting Tool, Maynard James Keenan writes some of the most enigmatic lyrics to ever be written, but they still hold the ability to be poignant at least in meaning. He's also appeared in A Perfect Circle and has another band he's put together Puscifier. "Some say a comet will fall from the sky / followed by meteor showers and title waves / followed by faultlines that cannot sit still / followed by millions of dumb-founded dipshits / some say the end is near / some say we'll see armageddon soon / certainly hope we will /i sure could use a vaction from this / stupid shit, silly shit, stupid shit."
4. Roger Waters - I am an immense Pink Floyd fan, so much that they are one of my favorite bands, as fandom goes. One of the whole points behind Pink Floyd is obviously the trippy lyrics. "Oh, how I wish, how I wish you were here / we're just two lost souls swimmin in a fish bowl, year after year / runnin over the same old ground, and hav you found / the same old fears / wish you were here."
5. Cedric Bixler-Zavala - This may be premature, or a current bias, but these lyrics are some of the most awkward things I've ever read, and that's all there is to say about it. Oh, he sings for The Mars Volta, but stared with the band At the Drive-in. "You must have been phlegmatic in stature / the gates of thanos are spread-eagle wide / you let the shutters make sackcloth and ashes / out of a blind man's picaresque heart."
Ryan's Top 5:
This is a good idea for a list, but I'm feeling a bit boring, as you'll see, so all my answers would probably make the editors at Rolling Stone happy--which means, of course, that my list sucks.
1. John Lennon - For me it was a close call between Lennon and Simon, but I'm going to have to go with the walrus on this one. I don't believe that songs are simply poetry put to music. Occasionally, Paul Simon can write songs that, while great, are more poetic than musical (see: The Dangling Conversation, which is like a poem with background music. Good, though). Anyway, not much sense trying to explain Lennon's greatness, so here's a random quote: "Always know sometimes think it's me / But you know I know when it's a dream / I think I know I mean, ah yes / but it's all wrong / that is I think I disagree / Let me take you down..."
2. Paul Simon - Not to discount Garfunkel's contribution to the band--namely, big hair--but Simon has an amazing way with words. You want examples, I mean, take your pick--The Boxer, I Am A Rock, Sound of Silence, Mrs. Robinson, America, etc. etc. etc. "Hello darkness, my old friend / I've come to talk with you again / Because a vision softly creeping / Left its seeds while I was sleeping / And the vision that was planted in my brain / Still remains / Within the sound of silence." Bonus points for never burning out and producing crap (see: McCartney, Paul), and also solving apartheid in South Africa with Graceland.
3. David Bowie - "I'm an alligator, I'm a mama-papa coming for you / I'm the space invader, I'll be a rock 'n' rollin' bitch for you / Keep your mouth shut, you're squawking like a pink monkey bird / And I'm busting up my brains for the words." I think that pretty much says it all.
4. Harry Nilsson - There were rumors in 1970 that if Paul left the band, Nilsson could've stepped in. That, of course, would have led to Nilsson, Lennon, and Ringo all dying of liver failure by 1973, but it's still neat to think about. "Have you ever watched a moonbeam / As it slid across your windowpane / Or struggled with a bit of rain / Or danced about the weathervane / Or sat along a moving train / And wondered where the train has been..."
5. Paul McCartney - Has done just about everything possible to soil his musical record as of late, but he wrote some of the best songs ever recorded: Eleanor Rigby, Yesterday, Hey Jude, etc. As we've all heard these songs nine-hundred times, I'll forego the lyrics.
Honorable mentions: I won't try to sneak these guys in this time around, but I do think, given some more time, they could be on this list: Sufjan Stevens, Damon Gough (Badly Drawn Boy).
Dan's Top 5:
1. David Bowie - I think that if I have to explain Bowie to you, you're not worth talking to. A candidate for being overlooked lyrically, though, since the music is so strong. "And you / You can be mean / And I / I'll drink all the time / 'Cause we're lovers / And that is a fact / Yes we're lovers / And that is that."
2. Warren Zevon - Songwriting with sardonic dark humor? Sign me up. Honestly, Werewolves of London, though his greatest hit, isn't very indicative of his true talent. "I'm very well aquainted with the seven deadly sins / I keep a busy schedule trying to fit them in."
3. Damon Albarn - Blur, Gorrilaz, The Good The Bad and The Queen. They're all good. "She says theres ants in the carpet / Dirty little monsters / Eating all the morsels / Picking up the rubbish."
4. Paul Simon - It still astounds me that with all he did in Simon and Garfunkel, he still had enough left in him for a very good solo career. That rarely ever happens. "When I think back on all the crap I learned in high school it's a wonder I can think at all / And though my lack of education hasn't hurt me none, I can read the writing on the wall."
5. Colin Meloy - The Decemberists are, according to Colbert, "hyper-literate prog rock," and that couldn't be possible without Colin Meloy. Though I've had their music in my possession for quite some time, I truthfully have only been listening for the last few days. But their specialty for morose sea shanties and upbeat songs about myriad fictional characters lands them a spot in the Top 5. "And they tell her not to say a thing to cousin, kindred, kith or kin or she'll end up dead / And they throw her thirty dollars and return her to the harbour where she goes to bed, and this is how you're fed."
Honorable Mentions: Harry Nilsson, John Lennon, and Paul McCartney, excluded as they've been named by Ryan, who did them adequate justice.
Tim's Top 5:
1. Bob Dylan - No question here. Stuck Inside of Mobile (With the Memphis Blues Again), Idiot Wind, Tangled Up in Blue, All Along the Watchtower, It Ain't Me Babe, all great songs...and he would win for My Back Pages alone if it really came down to it. Time Out of Mind's tracks like Love Sick and Not Dark Yet continue the tradition, even if his last two albums aren't really worth mentioning. Who else could have written The Lonesome Death of Hattie Carroll and actually turned it into a decent song?
2. Bruce Springsteen - Few artists could have put together an album like The Rising without coming off as a dreadfully trite assemblage of flag-waving garbage. But it's just the sheer volume of great songs that Springsteen has written that involve characters without making them as repetitive as things like Ben Folds' solo work where nearly every song has to have named characters. Born to Run, Thunder Road, Brilliant Disguise, American Skin -- this is great stuff.
3. John Lennon - He does lose some for his all-too-sentimental period around Double Fantasy, but he wrote the Beatles' best material. Imagine, Tomorrow Never Knows, Happiness is a Warm Gun, Instant Karma...McCartney is good, but not on this level...and seriously, McCartney wrote a song called Biker Like an Icon.
4. Elliott Smith - He picked up the John Lennon introspective torch, but took it way farther. Ballad of Big Nothing is one of the best written songs I've heard even though it's extremely simple. Figure 8 may have been his lyrical peak with Stupidity Tries, Son of Sam, but Either/Or isn't far off and From a Basement on A Hill has some great stuff.
5. Noel Gallagher - Sure, I was in high school when (What's the Story) Morning Glory came out, but it had some songs that really struck me as well-crafted -- Don't Look Back in Anger, Some Might Say, really everything except for She's Electric and Chapagne Supernova. And I prefer Definitely Maybe with Rock n' Roll Star and Cigarettes and Alcohol, which really warrants (by itself) a spot higher than 5th.
Honorable mention: Bernie Taupin (hard to admit, but in the 1970s, Elton John actually recorded decent music); Neil Young, Adam Schlesinger/Chris Collingwood (since they're two people, I had to settle for honorable mentioning them), Billy Corgan.
Tory's Top 5:
1. Conor Oberst - The front man for Bright Eyes who started writing music when he was about 13, and put out about 20 songs written from the time between age 13 and 15, all showing the technique of an established poet. It isn't so much cleverness of the lyrics, but the use of rhyme along with half-rhyme, assonance and alliteration to make lines fit together. Has also established about 4 other bands."There's a dream in my brain, that just won't go away, it's been stuck there since it came a few nights ago / and i'm standing on a bridge, in the town where i lived as kid with my mom and my brothers / and then the bridge disappears and i'm standing on air / with nothing holding me."
2. Damien Rice - Simply an incredible writer. Pairs music with his songs perfectly, and writes what some could say are the most depressing songs in existence, but always sings them with an incredible beauty. "Cheers darlin, I got years to wait around for you / Cheers darlin, I got your wedding bells in my ear / cheers darlin, you gave me three cigarettes, to smoke my tears away."
3. Maynard - Fronting Tool, Maynard James Keenan writes some of the most enigmatic lyrics to ever be written, but they still hold the ability to be poignant at least in meaning. He's also appeared in A Perfect Circle and has another band he's put together Puscifier. "Some say a comet will fall from the sky / followed by meteor showers and title waves / followed by faultlines that cannot sit still / followed by millions of dumb-founded dipshits / some say the end is near / some say we'll see armageddon soon / certainly hope we will /i sure could use a vaction from this / stupid shit, silly shit, stupid shit."
4. Roger Waters - I am an immense Pink Floyd fan, so much that they are one of my favorite bands, as fandom goes. One of the whole points behind Pink Floyd is obviously the trippy lyrics. "Oh, how I wish, how I wish you were here / we're just two lost souls swimmin in a fish bowl, year after year / runnin over the same old ground, and hav you found / the same old fears / wish you were here."
5. Cedric Bixler-Zavala - This may be premature, or a current bias, but these lyrics are some of the most awkward things I've ever read, and that's all there is to say about it. Oh, he sings for The Mars Volta, but stared with the band At the Drive-in. "You must have been phlegmatic in stature / the gates of thanos are spread-eagle wide / you let the shutters make sackcloth and ashes / out of a blind man's picaresque heart."
Ryan's Top 5:
This is a good idea for a list, but I'm feeling a bit boring, as you'll see, so all my answers would probably make the editors at Rolling Stone happy--which means, of course, that my list sucks.
1. John Lennon - For me it was a close call between Lennon and Simon, but I'm going to have to go with the walrus on this one. I don't believe that songs are simply poetry put to music. Occasionally, Paul Simon can write songs that, while great, are more poetic than musical (see: The Dangling Conversation, which is like a poem with background music. Good, though). Anyway, not much sense trying to explain Lennon's greatness, so here's a random quote: "Always know sometimes think it's me / But you know I know when it's a dream / I think I know I mean, ah yes / but it's all wrong / that is I think I disagree / Let me take you down..."
2. Paul Simon - Not to discount Garfunkel's contribution to the band--namely, big hair--but Simon has an amazing way with words. You want examples, I mean, take your pick--The Boxer, I Am A Rock, Sound of Silence, Mrs. Robinson, America, etc. etc. etc. "Hello darkness, my old friend / I've come to talk with you again / Because a vision softly creeping / Left its seeds while I was sleeping / And the vision that was planted in my brain / Still remains / Within the sound of silence." Bonus points for never burning out and producing crap (see: McCartney, Paul), and also solving apartheid in South Africa with Graceland.
3. David Bowie - "I'm an alligator, I'm a mama-papa coming for you / I'm the space invader, I'll be a rock 'n' rollin' bitch for you / Keep your mouth shut, you're squawking like a pink monkey bird / And I'm busting up my brains for the words." I think that pretty much says it all.
4. Harry Nilsson - There were rumors in 1970 that if Paul left the band, Nilsson could've stepped in. That, of course, would have led to Nilsson, Lennon, and Ringo all dying of liver failure by 1973, but it's still neat to think about. "Have you ever watched a moonbeam / As it slid across your windowpane / Or struggled with a bit of rain / Or danced about the weathervane / Or sat along a moving train / And wondered where the train has been..."
5. Paul McCartney - Has done just about everything possible to soil his musical record as of late, but he wrote some of the best songs ever recorded: Eleanor Rigby, Yesterday, Hey Jude, etc. As we've all heard these songs nine-hundred times, I'll forego the lyrics.
Honorable mentions: I won't try to sneak these guys in this time around, but I do think, given some more time, they could be on this list: Sufjan Stevens, Damon Gough (Badly Drawn Boy).
Dan's Top 5:
1. David Bowie - I think that if I have to explain Bowie to you, you're not worth talking to. A candidate for being overlooked lyrically, though, since the music is so strong. "And you / You can be mean / And I / I'll drink all the time / 'Cause we're lovers / And that is a fact / Yes we're lovers / And that is that."
2. Warren Zevon - Songwriting with sardonic dark humor? Sign me up. Honestly, Werewolves of London, though his greatest hit, isn't very indicative of his true talent. "I'm very well aquainted with the seven deadly sins / I keep a busy schedule trying to fit them in."
3. Damon Albarn - Blur, Gorrilaz, The Good The Bad and The Queen. They're all good. "She says theres ants in the carpet / Dirty little monsters / Eating all the morsels / Picking up the rubbish."
4. Paul Simon - It still astounds me that with all he did in Simon and Garfunkel, he still had enough left in him for a very good solo career. That rarely ever happens. "When I think back on all the crap I learned in high school it's a wonder I can think at all / And though my lack of education hasn't hurt me none, I can read the writing on the wall."
5. Colin Meloy - The Decemberists are, according to Colbert, "hyper-literate prog rock," and that couldn't be possible without Colin Meloy. Though I've had their music in my possession for quite some time, I truthfully have only been listening for the last few days. But their specialty for morose sea shanties and upbeat songs about myriad fictional characters lands them a spot in the Top 5. "And they tell her not to say a thing to cousin, kindred, kith or kin or she'll end up dead / And they throw her thirty dollars and return her to the harbour where she goes to bed, and this is how you're fed."
Honorable Mentions: Harry Nilsson, John Lennon, and Paul McCartney, excluded as they've been named by Ryan, who did them adequate justice.
Tim's Top 5:
1. Bob Dylan - No question here. Stuck Inside of Mobile (With the Memphis Blues Again), Idiot Wind, Tangled Up in Blue, All Along the Watchtower, It Ain't Me Babe, all great songs...and he would win for My Back Pages alone if it really came down to it. Time Out of Mind's tracks like Love Sick and Not Dark Yet continue the tradition, even if his last two albums aren't really worth mentioning. Who else could have written The Lonesome Death of Hattie Carroll and actually turned it into a decent song?
2. Bruce Springsteen - Few artists could have put together an album like The Rising without coming off as a dreadfully trite assemblage of flag-waving garbage. But it's just the sheer volume of great songs that Springsteen has written that involve characters without making them as repetitive as things like Ben Folds' solo work where nearly every song has to have named characters. Born to Run, Thunder Road, Brilliant Disguise, American Skin -- this is great stuff.
3. John Lennon - He does lose some for his all-too-sentimental period around Double Fantasy, but he wrote the Beatles' best material. Imagine, Tomorrow Never Knows, Happiness is a Warm Gun, Instant Karma...McCartney is good, but not on this level...and seriously, McCartney wrote a song called Biker Like an Icon.
4. Elliott Smith - He picked up the John Lennon introspective torch, but took it way farther. Ballad of Big Nothing is one of the best written songs I've heard even though it's extremely simple. Figure 8 may have been his lyrical peak with Stupidity Tries, Son of Sam, but Either/Or isn't far off and From a Basement on A Hill has some great stuff.
5. Noel Gallagher - Sure, I was in high school when (What's the Story) Morning Glory came out, but it had some songs that really struck me as well-crafted -- Don't Look Back in Anger, Some Might Say, really everything except for She's Electric and Chapagne Supernova. And I prefer Definitely Maybe with Rock n' Roll Star and Cigarettes and Alcohol, which really warrants (by itself) a spot higher than 5th.
Honorable mention: Bernie Taupin (hard to admit, but in the 1970s, Elton John actually recorded decent music); Neil Young, Adam Schlesinger/Chris Collingwood (since they're two people, I had to settle for honorable mentioning them), Billy Corgan.
Subscribe to:
Posts (Atom)